Sensible Objects (eBook, ePUB)
Colonialism, Museums and Material Culture
Redaktion: Edwards, Elizabeth; Phillips, Ruth; Gosden, Chris
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Sensible Objects (eBook, ePUB)
Colonialism, Museums and Material Culture
Redaktion: Edwards, Elizabeth; Phillips, Ruth; Gosden, Chris
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Anthropologists of the senses have long argued that cultures differ in their sensory registers
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Anthropologists of the senses have long argued that cultures differ in their sensory registers
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 320
- Erscheinungstermin: 31. Mai 2020
- Englisch
- ISBN-13: 9781000190069
- Artikelnr.: 59558933
- Verlag: Taylor & Francis
- Seitenzahl: 320
- Erscheinungstermin: 31. Mai 2020
- Englisch
- ISBN-13: 9781000190069
- Artikelnr.: 59558933
Elizabeth Edwards is Professor and Senior Research Fellow, University of the Arts London. Chris Gosden is at The Pitt Rivers Museum Research Centre, Oxford.Ruth Phillips is at the Institute for Comparative Studies in Literature, Art and Culture, Carleton University, Canada.
Introduction1. The Senses* Enduring and Endearing Feelings and the
Transformation of Material Culture in West Africa Kathryn Geurts (Hamline
University) with Elvis Gershon Adikah (Hamline University)* Studio
Photography and the aesthetics of Citizenship in The Gambia, West
AfricaLiam Buckley (John Madison University)* Cooking skill, the senses and
memory: the fate of practical knowledgeDavid Sutton (Southern Illinois
University)2. Colonialism* Mata Ora: Chiselling the Living Face, Dimensions
of Maori Tattoo.Ngahuia Te Akwekotuku (University of Waikato)* Smoked fish
and fermented oil: Taste and smell among the Kwakwaka'wakwAldona Jonaitis
(Fairbanks Museum, University of Alaska)* Sonic Spectacles of Empire: the
Audio-Visual Nexus, Delhi -- London, 1911-12.Tim Barringer (Yale
University)3. Museums* The museum as sensescape: western sensibilities and
indigenous artefactsConstance Claessen and David Howes (Concordia
University)* The Fate of the Senses in Ethnographic Modernity: TheMargaret
Mead Peoples of the Pacific Hall at the American Museum of Natural History
Diane Losche (University of New South Wales)* Contact Points: Museums and
the Lost Body ProblemJeffrey Feldman (New York University)* The beauty of
letting go: Fragmentary museums and Archaeologies of archiveSven Ouzman
(University of California at Berkeley National Museum of South Africa)
Transformation of Material Culture in West Africa Kathryn Geurts (Hamline
University) with Elvis Gershon Adikah (Hamline University)* Studio
Photography and the aesthetics of Citizenship in The Gambia, West
AfricaLiam Buckley (John Madison University)* Cooking skill, the senses and
memory: the fate of practical knowledgeDavid Sutton (Southern Illinois
University)2. Colonialism* Mata Ora: Chiselling the Living Face, Dimensions
of Maori Tattoo.Ngahuia Te Akwekotuku (University of Waikato)* Smoked fish
and fermented oil: Taste and smell among the Kwakwaka'wakwAldona Jonaitis
(Fairbanks Museum, University of Alaska)* Sonic Spectacles of Empire: the
Audio-Visual Nexus, Delhi -- London, 1911-12.Tim Barringer (Yale
University)3. Museums* The museum as sensescape: western sensibilities and
indigenous artefactsConstance Claessen and David Howes (Concordia
University)* The Fate of the Senses in Ethnographic Modernity: TheMargaret
Mead Peoples of the Pacific Hall at the American Museum of Natural History
Diane Losche (University of New South Wales)* Contact Points: Museums and
the Lost Body ProblemJeffrey Feldman (New York University)* The beauty of
letting go: Fragmentary museums and Archaeologies of archiveSven Ouzman
(University of California at Berkeley National Museum of South Africa)
Introduction1. The Senses* Enduring and Endearing Feelings and the
Transformation of Material Culture in West Africa Kathryn Geurts (Hamline
University) with Elvis Gershon Adikah (Hamline University)* Studio
Photography and the aesthetics of Citizenship in The Gambia, West
AfricaLiam Buckley (John Madison University)* Cooking skill, the senses and
memory: the fate of practical knowledgeDavid Sutton (Southern Illinois
University)2. Colonialism* Mata Ora: Chiselling the Living Face, Dimensions
of Maori Tattoo.Ngahuia Te Akwekotuku (University of Waikato)* Smoked fish
and fermented oil: Taste and smell among the Kwakwaka'wakwAldona Jonaitis
(Fairbanks Museum, University of Alaska)* Sonic Spectacles of Empire: the
Audio-Visual Nexus, Delhi -- London, 1911-12.Tim Barringer (Yale
University)3. Museums* The museum as sensescape: western sensibilities and
indigenous artefactsConstance Claessen and David Howes (Concordia
University)* The Fate of the Senses in Ethnographic Modernity: TheMargaret
Mead Peoples of the Pacific Hall at the American Museum of Natural History
Diane Losche (University of New South Wales)* Contact Points: Museums and
the Lost Body ProblemJeffrey Feldman (New York University)* The beauty of
letting go: Fragmentary museums and Archaeologies of archiveSven Ouzman
(University of California at Berkeley National Museum of South Africa)
Transformation of Material Culture in West Africa Kathryn Geurts (Hamline
University) with Elvis Gershon Adikah (Hamline University)* Studio
Photography and the aesthetics of Citizenship in The Gambia, West
AfricaLiam Buckley (John Madison University)* Cooking skill, the senses and
memory: the fate of practical knowledgeDavid Sutton (Southern Illinois
University)2. Colonialism* Mata Ora: Chiselling the Living Face, Dimensions
of Maori Tattoo.Ngahuia Te Akwekotuku (University of Waikato)* Smoked fish
and fermented oil: Taste and smell among the Kwakwaka'wakwAldona Jonaitis
(Fairbanks Museum, University of Alaska)* Sonic Spectacles of Empire: the
Audio-Visual Nexus, Delhi -- London, 1911-12.Tim Barringer (Yale
University)3. Museums* The museum as sensescape: western sensibilities and
indigenous artefactsConstance Claessen and David Howes (Concordia
University)* The Fate of the Senses in Ethnographic Modernity: TheMargaret
Mead Peoples of the Pacific Hall at the American Museum of Natural History
Diane Losche (University of New South Wales)* Contact Points: Museums and
the Lost Body ProblemJeffrey Feldman (New York University)* The beauty of
letting go: Fragmentary museums and Archaeologies of archiveSven Ouzman
(University of California at Berkeley National Museum of South Africa)