First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Introduction by Jeremy Gilbert-Rolfe introduction1 Stephen Melville and Art's Philosophical Attitude Toward History Part 1 Essays by Stephen Melville Chapter 1 Robert Smithson Chapter 2 Description Chapter 3 Aesthetic Detachment Chapter 4 Positionality, Objectivity, Judgment Chapter 5 Psychoanalysis and the Place of Jouissance Chapter 6 Division of the Gaze, or, Remarks on the Color and Tenor of Contemporary "Theory" Chapter 7 Color has not Yet been Named Chapter 8 Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism Chapter 9 Compelling Acts, Haunting Convictions Chapter 10 Painting Put Asunder Chapter 11 Postscript
Introduction by Jeremy Gilbert-Rolfe introduction1 Stephen Melville and Art's Philosophical Attitude Toward History Part 1 Essays by Stephen Melville Chapter 1 Robert Smithson Chapter 2 Description Chapter 3 Aesthetic Detachment Chapter 4 Positionality, Objectivity, Judgment Chapter 5 Psychoanalysis and the Place of Jouissance Chapter 6 Division of the Gaze, or, Remarks on the Color and Tenor of Contemporary "Theory" Chapter 7 Color has not Yet been Named Chapter 8 Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism Chapter 9 Compelling Acts, Haunting Convictions Chapter 10 Painting Put Asunder Chapter 11 Postscript
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309