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  • Format: ePub


Everyone creates their own coping strategies or rules for living. But what happens when an extended family gathers in the kitchen for a traditional Christmas and they each follow those rules, rigidly?
In Sam Holcroft's theatrically playful, dark comedy the family does just that. And when the instructions are there for all to see, audience included, there's really no place to hide.
As long-held mechanisms for survival are laid bare, even Mum, who's been preparing this lunch since last January, becomes embroiled.
Long-held rivalries and resentments will out. Accusations fly,
…mehr

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Produktbeschreibung


Everyone creates their own coping strategies or rules for living. But what happens when an extended family gathers in the kitchen for a traditional Christmas and they each follow those rules, rigidly?

In Sam Holcroft's theatrically playful, dark comedy the family does just that. And when the instructions are there for all to see, audience included, there's really no place to hide.

As long-held mechanisms for survival are laid bare, even Mum, who's been preparing this lunch since last January, becomes embroiled.

Long-held rivalries and resentments will out. Accusations fly, relationships deconstruct, the rules take over.

Rules for Living premiered at the National Theatre, London, in March 2015.


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Autorenporträt
Sam Holcroft's other plays include Rules for Living, at the National Theatre, The Wardrobe, for National Theatre Connections, and Edgar & Annabel, part of the Double Feature season in the Paintframe at the National Theatre; Dancing Bears, part of the Charged season for Clean Break at Soho Theatre and Latitude Festival; While You Lie at the Traverse, Edinburgh; Pink, part of the Women, Power and Politics season at the Tricycle; Vanya, adapted from Chekhov, at The Gate; and Cockroach, co-produced by the National Theatre of Scotland and the Traverse (nominated for Best New Play 2008, by the Critics' Awards for Theatre in Scotland and shortlisted for the John Whiting Award, 2009). In 2013, she wrote The House Taken Over, a libretto for opera, adapted from Cortázar, for the Festival d'Aix-en-Provence and Académie Européenne de Musique. Sam received the Tom Erhardt Award in 2009, was the Pearson Writer-in-Residence at the Traverse Theatre, 2009-10, and the Writer-in-Residence at the National Theatre Studio from 2013-14. In 2014, Sam received a Windham Campbell Prize for Literature in the drama category.