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Investigates the theatrical objects, texts, images, architectures, and performers of late medieval Seville, showing how public spectacle facilitated cultural exchange, forged religious identities, and animated imperial projects among Muslims, Jews, and Christians.

Produktbeschreibung
Investigates the theatrical objects, texts, images, architectures, and performers of late medieval Seville, showing how public spectacle facilitated cultural exchange, forged religious identities, and animated imperial projects among Muslims, Jews, and Christians.


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Autorenporträt
Swift Christopher :

Christopher Swift is an Associate Professor of Theatre at the City University of New York, New York City College of Technology. He researches and teaches performance architecture, puppetry, and medieval theatre.