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This study of Egyptian theatre and its narrative construction explores how representations of Egypt are created of and within theatrical means. Essays address the narratives that structure theatrical, textual, and performative representations and various aspects of the rewriting process. Drawing from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, articles focus on how theatre texts and performances are rewritten when crossing borders. They study the process of rewriting, representations of foreign plays on stage, and…mehr

Produktbeschreibung
This study of Egyptian theatre and its narrative construction explores how representations of Egypt are created of and within theatrical means. Essays address the narratives that structure theatrical, textual, and performative representations and various aspects of the rewriting process. Drawing from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, articles focus on how theatre texts and performances are rewritten when crossing borders. They study the process of rewriting, representations of foreign plays on stage, and representations of the Egyptian revolution, bringing vital coverage to developments in theatre translation.


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Autorenporträt
Sirkku Aaltonen is Professor of English, Docent in Translation Studies, and Head of the English Studies Unit at the University of Vaasa, Finland. Areeg Ibrahim is Professor of English and Comparative Literature at Helwan University, Egypt. She is on the editorial board of the Arab Stages Journal and the Treasurer of The Egyptian Circle for Genre Studies and Comparative Poetics (ECGSCP).