Representation in Western Music (eBook, ePUB)

Redaktion: Walden, Joshua S.

• Format: ePub

Produktbeschreibung

Representation in Western Music offers a comprehensive study of the roles of representation in the composition, performance and reception of Western music. In recent years, there has been increasing academic interest in questions of musical interpretation and meaning and in music's interactions with other artistic media, and yet no book has dealt extensively with representation's important role in these processes. This volume presents new research about musical representation, with particular focus on Western art and popular music from the nineteenth century to the present day. It assembles essays by an international assortment of leading scholars on a range of subjects including instrumental music, opera, popular song, ballet, cinema and the music video. Individual sections address representation, interpretation and musical meaning; music's relationships with visual forms of representation; musical representation in dramatic forms; and the functions of music in the representation of identity.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 11. April 2013
• Englisch
• ISBN-13: 9781107301481
• Artikelnr.: 52969026

Inhaltsangabe

Preface Joshua S. Walden; Part I. Representation and the Interpretation of
Musical Meaning: 1. Layers of representation in nineteenth-century genres:
the case of one Brahms Ballade Matthew Gelbart; 2. 'As a stranger give it
welcome': musical meanings in 1830s London Roger Parker; 3. 'Music is
obscure': textless Soviet works and their phantom programmes Marina
Frolova-Walker; 4. Representing Arlen Walter Frisch; 5. Video cultures:
'Bohemian Rhapsody', Wayne's World, and beyond Nicholas Cook; Part II.
Sound and Visual Representations: Music, Painting, and Dance: 6. 'On wings
of song': representing music as agency in nineteenth-century culture Thomas
Grey; 7. Representation and musical portraiture in the twentieth century
Joshua S. Walden; 8. Representational conundrums: music and early modern
dance Davinia Caddy; Part III. Musical Representations in Opera and Cinema:
9. Allusive representations: homoerotics in Wagner's Tristan Laurence
Dreyfus; 10. Der Dichter spricht: self-representation in Parsifal Karol
Berger; 11. Memory and the leitmotif in cinema Giorgio Biancorosso; 12.
Self-representation in music: the case of Hindemith's meta-opera Cardillac
Hermann Danuser, translated by J. Bradford Robinson; Part IV. Music,
Representation, and the Concepts of East and West: 13. Doing more than
representing Western music Rachel Beckles Willson; 14. The persistence of
Orientalism in the postmodern operas of Adams and Sellars W. Anthony
Sheppard; Afterword: what else? Richard Taruskin.