Reconstructing Performance Art (eBook, PDF)

Practices of Historicisation, Documentation and Representation
Redaktion: Gusman, Tancredi

• Format: PDF

Produktbeschreibung

This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 252
• Erscheinungstermin: 26. Mai 2023
• Englisch
• ISBN-13: 9781000879322
• Artikelnr.: 67886469

Autorenporträt

Tancredi Gusman is Assistant Professor in Theater and Performance Studies at the Department of History, Humanities and Society, University of Rome Tor Vergata. From 2017 to 2019 he led the EU Horizon 2020 project "Between Evidence and Representation: History of Performance Art Documentation from 1970 to 1977" at the Freie Universität Berlin and was Marie Sk¿odowska-Curie Research Fellow at the International Research Center "Interweaving Performance Cultures." He is currently co-convenor of the Historiography Working Group of the International Federation for Theatre Research (IFTR). His research investigates the politics of representation and spectatorship, and the histories of performance art, performance documentation and theater criticism.

Inhaltsangabe

Acknowledgments
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the
Practices of Reconstructing and Representing Performance Art
Tancredi Gusman
PART I: Reframing the Past: Histories and Historiographies of Performance
Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central
Europe
Amy Bryzgel
2. The '68 Aesthetic and Political Radicalization in the Argentinian
Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle
Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian
Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the
Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Büscher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas
Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10. On the Long Road to Becoming a Matter of Course: Collecting Live
Performances in Museums and Other Art Collections
Wolfgang Brückle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate
Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta:
Where Is Performance?
Georgina Guy and Johanna Linsley
Index