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These myths retold bend and blend genres, from the supernatural and fantasy to science fiction, ghost stories and magical realism - all this, the reclaiming and the repurposing, a far cry from the bowdlerised, even infantalised, interpretations found in the versions of A W Reed, Antony Alpers and other 20th-century Pakeha anthologists. . . . Indigenous stories are never idle; they are a means of integrating past with present and activating elemental motifs of resonant power to assert the continuum of identity. . . . All in all, lush, but also harsh and brash and often brassy, this anthology is made up of a kaleidoscope of colourful fragments, most of them satisfyingly charged with psychic energy and loyal to the legends they are based on. . . . But what gives the best of these short takes on the ways of the gods their moral heft, in these decentred, internet-enabled times, is their stubborn insistence on Maori essentialism as a potent mystery.
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