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This new edition incorporates corrections of all known typographical errors in the first edition, as well as some more substantive changes. Chief among the latter is the addition of Chap. 17, on methods of estimation. As with the rest of the text, most applications and examples cited in the new chapter are from the optical perspective. The intention behind this new chapter is to empower the optical researcher with a yet broader range of research tools. Certainly a basic knowledge of estimation methods should be among these. In particular, the sections on likelihood theory and Fisher…mehr

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Produktbeschreibung
This new edition incorporates corrections of all known typographical errors in the first edition, as well as some more substantive changes. Chief among the latter is the addition of Chap. 17, on methods of estimation. As with the rest of the text, most applications and examples cited in the new chapter are from the optical perspective. The intention behind this new chapter is to empower the optical researcher with a yet broader range of research tools. Certainly a basic knowledge of estimation methods should be among these. In particular, the sections on likelihood theory and Fisher information prepare readers for the problems of optical parameter estimation and probability law estimation. Physicists and optical scientists might find this material particularly useful, since the subject of Fisher information is generally not covered in standard physical science curricula. Since the words "statistical optics" are prominent in the title of this book, their meaning needs to be clarified. There is a general tendency to overly emphasize the statistics of photons as the sine qua non of statistical optics. In view is taken, which equally emphasizes the random medium this text a wider that surrounds the photon, be it a photographic emulsion, the turbulent atmo sphere, a vibrating lens holder, etc. Also included are random interpretations of ostensibly deterministic phenomena, such as the Hurter-Driffield (H and D) curve of photography. Such a "random interpretation" sometimes breaks new ground, as in Chap.

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