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First Published in 2001. This is Volume 3 of the Selected Works of I.A. Richards from 1919 to 1938 and concerns itself with the principles of literary criticism from 1924.
First Published in 2001. This is Volume 3 of the Selected Works of I.A. Richards from 1919 to 1938 and concerns itself with the principles of literary criticism from 1924.
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I.A. Richards Lecturer in English Magdalene College Cambridge
Inhaltsangabe
Part 1 Principles of Literary Criticism Chapter Preface Chapter 1 The Chaos of Critical Theories Chapter 2 The Phantom Aesthetic State Chapter 3 The Language of Criticism Chapter 4 Communication and the Artist Chapter 5 The Critics' Concern with Value Chapter 6 Value as an Ultimate Idea Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'. Chapter 8 Art and Morals Chapter 9 Actual and Possible Misapprehensions Chapter 10 Poetry for Poetry's Sake Chapter 11 A Sketch for a Psychology Chapter 12 Pleasure Chapter 13 Emotion and the Coenesthesia Chapter 14 Memory Chapter 15 Attitudes Chapter 16 The Analysis of a Poem Chapter 17 Rhythm and Metre Chapter 18 On Looking at a Picture Chapter 19 Sculpture and the Construction of Form Chapter 20 The Impasse of Musical Theory Chapter 21 A Theory of Communication Chapter 22 The Availability of the Poet's Experience Chapter 23 Tolstoy's Infection Theory Chapter 24 The Normality of the Artist Chapter 25 Badness in Poetry Chapter 26 Judgement and Divergent Readings Chapter 27 Levels of Response and the Width of Appeal Chapter 28 The Allusiveness of Modern Poetry Chapter 29 Permanence as a Criterion Chapter 30 The Definition of a Poem Chapter 31 Art, Play, and Civilization Chapter 32 The Imagination Chapter 33 Truth and Revelation Theories Chapter 34 The Two Uses of Language Chapter 35 Poetry and Beliefs Part 2 Editorial Appendix 3: Science and Poetry (1926) Chapter 36 The General Situation Chapter 37 The Poetic Experience Chapter 38 What is Valuable Chapter 39 The Command of Life Chapter 40 The Neutralization of Nature Chapter 41 Poetry and Beliefs Chapter 42 Some Contemporary Poets
Part 1 Principles of Literary Criticism Chapter Preface Chapter 1 The Chaos of Critical Theories Chapter 2 The Phantom Aesthetic State Chapter 3 The Language of Criticism Chapter 4 Communication and the Artist Chapter 5 The Critics' Concern with Value Chapter 6 Value as an Ultimate Idea Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'. Chapter 8 Art and Morals Chapter 9 Actual and Possible Misapprehensions Chapter 10 Poetry for Poetry's Sake Chapter 11 A Sketch for a Psychology Chapter 12 Pleasure Chapter 13 Emotion and the Coenesthesia Chapter 14 Memory Chapter 15 Attitudes Chapter 16 The Analysis of a Poem Chapter 17 Rhythm and Metre Chapter 18 On Looking at a Picture Chapter 19 Sculpture and the Construction of Form Chapter 20 The Impasse of Musical Theory Chapter 21 A Theory of Communication Chapter 22 The Availability of the Poet's Experience Chapter 23 Tolstoy's Infection Theory Chapter 24 The Normality of the Artist Chapter 25 Badness in Poetry Chapter 26 Judgement and Divergent Readings Chapter 27 Levels of Response and the Width of Appeal Chapter 28 The Allusiveness of Modern Poetry Chapter 29 Permanence as a Criterion Chapter 30 The Definition of a Poem Chapter 31 Art, Play, and Civilization Chapter 32 The Imagination Chapter 33 Truth and Revelation Theories Chapter 34 The Two Uses of Language Chapter 35 Poetry and Beliefs Part 2 Editorial Appendix 3: Science and Poetry (1926) Chapter 36 The General Situation Chapter 37 The Poetic Experience Chapter 38 What is Valuable Chapter 39 The Command of Life Chapter 40 The Neutralization of Nature Chapter 41 Poetry and Beliefs Chapter 42 Some Contemporary Poets
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