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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 384
- Erscheinungstermin: 16. Dezember 2013
- Englisch
- ISBN-13: 9781136350603
- Artikelnr.: 40171968
- Verlag: Taylor & Francis
- Seitenzahl: 384
- Erscheinungstermin: 16. Dezember 2013
- Englisch
- ISBN-13: 9781136350603
- Artikelnr.: 40171968
I.A. Richards Lecturer in English Magdalene College Cambridge
Part 1 Principles of Literary Criticism
Chapter Preface
Chapter 1 The Chaos of Critical Theories
Chapter 2 The Phantom Aesthetic State
Chapter 3 The Language of Criticism
Chapter 4 Communication and the Artist
Chapter 5 The Critics' Concern with Value
Chapter 6 Value as an Ultimate Idea
Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'.
Chapter 8 Art and Morals
Chapter 9 Actual and Possible Misapprehensions
Chapter 10 Poetry for Poetry's Sake
Chapter 11 A Sketch for a Psychology
Chapter 12 Pleasure
Chapter 13 Emotion and the Coenesthesia
Chapter 14 Memory
Chapter 15 Attitudes
Chapter 16 The Analysis of a Poem
Chapter 17 Rhythm and Metre
Chapter 18 On Looking at a Picture
Chapter 19 Sculpture and the Construction of Form
Chapter 20 The Impasse of Musical Theory
Chapter 21 A Theory of Communication
Chapter 22 The Availability of the Poet's Experience
Chapter 23 Tolstoy's Infection Theory
Chapter 24 The Normality of the Artist
Chapter 25 Badness in Poetry
Chapter 26 Judgement and Divergent Readings
Chapter 27 Levels of Response and the Width of Appeal
Chapter 28 The Allusiveness of Modern Poetry
Chapter 29 Permanence as a Criterion
Chapter 30 The Definition of a Poem
Chapter 31 Art, Play, and Civilization
Chapter 32 The Imagination
Chapter 33 Truth and Revelation Theories
Chapter 34 The Two Uses of Language
Chapter 35 Poetry and Beliefs
Part 2 Editorial Appendix 3: Science and Poetry (1926)
Chapter 36 The General Situation
Chapter 37 The Poetic Experience
Chapter 38 What is Valuable
Chapter 39 The Command of Life
Chapter 40 The Neutralization of Nature
Chapter 41 Poetry and Beliefs
Chapter 42 Some Contemporary Poets
Chapter Preface
Chapter 1 The Chaos of Critical Theories
Chapter 2 The Phantom Aesthetic State
Chapter 3 The Language of Criticism
Chapter 4 Communication and the Artist
Chapter 5 The Critics' Concern with Value
Chapter 6 Value as an Ultimate Idea
Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'.
Chapter 8 Art and Morals
Chapter 9 Actual and Possible Misapprehensions
Chapter 10 Poetry for Poetry's Sake
Chapter 11 A Sketch for a Psychology
Chapter 12 Pleasure
Chapter 13 Emotion and the Coenesthesia
Chapter 14 Memory
Chapter 15 Attitudes
Chapter 16 The Analysis of a Poem
Chapter 17 Rhythm and Metre
Chapter 18 On Looking at a Picture
Chapter 19 Sculpture and the Construction of Form
Chapter 20 The Impasse of Musical Theory
Chapter 21 A Theory of Communication
Chapter 22 The Availability of the Poet's Experience
Chapter 23 Tolstoy's Infection Theory
Chapter 24 The Normality of the Artist
Chapter 25 Badness in Poetry
Chapter 26 Judgement and Divergent Readings
Chapter 27 Levels of Response and the Width of Appeal
Chapter 28 The Allusiveness of Modern Poetry
Chapter 29 Permanence as a Criterion
Chapter 30 The Definition of a Poem
Chapter 31 Art, Play, and Civilization
Chapter 32 The Imagination
Chapter 33 Truth and Revelation Theories
Chapter 34 The Two Uses of Language
Chapter 35 Poetry and Beliefs
Part 2 Editorial Appendix 3: Science and Poetry (1926)
Chapter 36 The General Situation
Chapter 37 The Poetic Experience
Chapter 38 What is Valuable
Chapter 39 The Command of Life
Chapter 40 The Neutralization of Nature
Chapter 41 Poetry and Beliefs
Chapter 42 Some Contemporary Poets
Part 1 Principles of Literary Criticism
Chapter Preface
Chapter 1 The Chaos of Critical Theories
Chapter 2 The Phantom Aesthetic State
Chapter 3 The Language of Criticism
Chapter 4 Communication and the Artist
Chapter 5 The Critics' Concern with Value
Chapter 6 Value as an Ultimate Idea
Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'.
Chapter 8 Art and Morals
Chapter 9 Actual and Possible Misapprehensions
Chapter 10 Poetry for Poetry's Sake
Chapter 11 A Sketch for a Psychology
Chapter 12 Pleasure
Chapter 13 Emotion and the Coenesthesia
Chapter 14 Memory
Chapter 15 Attitudes
Chapter 16 The Analysis of a Poem
Chapter 17 Rhythm and Metre
Chapter 18 On Looking at a Picture
Chapter 19 Sculpture and the Construction of Form
Chapter 20 The Impasse of Musical Theory
Chapter 21 A Theory of Communication
Chapter 22 The Availability of the Poet's Experience
Chapter 23 Tolstoy's Infection Theory
Chapter 24 The Normality of the Artist
Chapter 25 Badness in Poetry
Chapter 26 Judgement and Divergent Readings
Chapter 27 Levels of Response and the Width of Appeal
Chapter 28 The Allusiveness of Modern Poetry
Chapter 29 Permanence as a Criterion
Chapter 30 The Definition of a Poem
Chapter 31 Art, Play, and Civilization
Chapter 32 The Imagination
Chapter 33 Truth and Revelation Theories
Chapter 34 The Two Uses of Language
Chapter 35 Poetry and Beliefs
Part 2 Editorial Appendix 3: Science and Poetry (1926)
Chapter 36 The General Situation
Chapter 37 The Poetic Experience
Chapter 38 What is Valuable
Chapter 39 The Command of Life
Chapter 40 The Neutralization of Nature
Chapter 41 Poetry and Beliefs
Chapter 42 Some Contemporary Poets
Chapter Preface
Chapter 1 The Chaos of Critical Theories
Chapter 2 The Phantom Aesthetic State
Chapter 3 The Language of Criticism
Chapter 4 Communication and the Artist
Chapter 5 The Critics' Concern with Value
Chapter 6 Value as an Ultimate Idea
Chapter 7 A Psychological Theory of Value1Editorial Note: In the marked copy in the Richards Collection, IAR, probably writing in 1930, before the 4th Edition, has emended one of the running heads for this Chapter, on page 49, with an alternative title, 'A Biological Theory of Value'.
Chapter 8 Art and Morals
Chapter 9 Actual and Possible Misapprehensions
Chapter 10 Poetry for Poetry's Sake
Chapter 11 A Sketch for a Psychology
Chapter 12 Pleasure
Chapter 13 Emotion and the Coenesthesia
Chapter 14 Memory
Chapter 15 Attitudes
Chapter 16 The Analysis of a Poem
Chapter 17 Rhythm and Metre
Chapter 18 On Looking at a Picture
Chapter 19 Sculpture and the Construction of Form
Chapter 20 The Impasse of Musical Theory
Chapter 21 A Theory of Communication
Chapter 22 The Availability of the Poet's Experience
Chapter 23 Tolstoy's Infection Theory
Chapter 24 The Normality of the Artist
Chapter 25 Badness in Poetry
Chapter 26 Judgement and Divergent Readings
Chapter 27 Levels of Response and the Width of Appeal
Chapter 28 The Allusiveness of Modern Poetry
Chapter 29 Permanence as a Criterion
Chapter 30 The Definition of a Poem
Chapter 31 Art, Play, and Civilization
Chapter 32 The Imagination
Chapter 33 Truth and Revelation Theories
Chapter 34 The Two Uses of Language
Chapter 35 Poetry and Beliefs
Part 2 Editorial Appendix 3: Science and Poetry (1926)
Chapter 36 The General Situation
Chapter 37 The Poetic Experience
Chapter 38 What is Valuable
Chapter 39 The Command of Life
Chapter 40 The Neutralization of Nature
Chapter 41 Poetry and Beliefs
Chapter 42 Some Contemporary Poets