The book highlights postmodern fiction and more so Rushdies fiction, which is concerned with: 1. A preoccupation with viability of systems and representations 2. The decentring of the subject and the inscription of multiple fictive selves 3. Narrative fragmentation, narrative reflexivity, and narratives which double-back on their own presuppositions 4. An open-ended play with formal divides challenging the presuppositions of literary realism 5. Abolition of the cultural divide between high and popular forms of culture, embracing all in a mlange 6. The displacement of the real by simulacra in Baudrillardian sense 7. Incredulity toward the metanarratives as Lyotard puts it
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