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Oscar Micheaux-the most prolific African American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and…mehr
Oscar Micheaux-the most prolific African American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.
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Pearl Bowser is founder and director of African Diaspora Images, a collection of historical and contemporary African American and African films and memorabilia. She is author (with Louise Spence) of Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences. Jane Gaines is Professor of Film at Columbia University and the author of two award-winning books, Contested Culture: The Image, the Voice, and the Law, and Fire and Desire: Mixed Race Movies in the Silent Era. Charles Musser is Professor of American Studies and Film Studies at Yale University. His books include The Emergence of Cinema: The American Screen to 1907 and Edison Motion Pictures, 1890-1900: An Annotated Filmography.
Inhaltsangabe
Contents The Touring Package: Programs and Credits Acknowledgments Introduction: Oscar Micheaux and Race Movies of the Silent Period / Pearl Bowser, Jane Gaines, and Charles Musser I. Overviews 1. Black Silence and the Politics of Representation / Clyde R. Taylor 2. The Notion of Treatment: Black Aesthetics and Film / based on an interview with Peter Hessli and additional contributions from Pearl Bowser, A. J. Jafa 3. From Shadows 'n Shufflin' to Spotlights and Cinema: The Lafayette Players, 1915-1932 / Sr. Francesca Thompson 4. The African-American Press and Race Movies, 1909-1929 / Charlene Regester II. Oscar Micheaux 5. Oscar Micheaux's Within Our Gates: The Possibilities for Alternative Visions / Michele Wallace 6. Within Our Gates: From Race Melodrama to Opportunity Narrative / Jane Gaines 7. Oscar Micheaux's The Symbol of the Unconquered: Text and Context / Pearl Bowser and Louise Spence 8. To Redream the Dreams of White Playwrights: Reappropriation and Resistance in Oscar Micheaux's Body and Soul / Charles Musser 9. Black Patriarch on the Prairie: National Identity and Black Manhood in the Early Novels of Oscar Micheaux / Jayna Brown 10. Telling White Lies: Oscar Micheaux and Charles W. Chesnutt / Corey Creekmur III. Micheaux's Contemporaries 11. Planes, Trains, and Automobiles: The Flying Ace, the Norman Company, and the Micheaux Connection / Phyllis Klotman 12. Colored Players Film Corporation An Alternative to Micheaux / Charles Musser Lost, then Found: The Wedding Scene from The Scar of Shame (1929) / Pearl Bowser 13. Richard D. Maurice and the Maurice Film Company / Pearl Bowser and Charles Musser 14. Cinematic Foremothers: Zora Neale Hurston and Eloyce King Patrick Gist / Gloria J. Gibson Appendix A. The Reemergence of Oscar Micheaux: A Timeline and Bibliographic Essay / J. Ronald Green Appendix B. An Oscar Micheaux Filmography: From the Silents through His Transition to Sound (1919-1931) / Compiled by Charles Musser, Corey Creekmur, Pearl Bowser, Charlene Regester, Ron Green, and Louise Spence Appendix C. A Colored Players Film Corporation Filmography / Compiled by Charles Musser Appendix D. Norman Film Manufacturing Company: Production and Theatrical Release Dates for All-Black-Cast Films / Compiled by Phyllis Klotman Notes Bibliography / Compiled by Kristen Barnes, Jane Gaines, Fred Neumann, and Hank Okazaki About the Contributors Credits Index
Contents The Touring Package: Programs and Credits Acknowledgments Introduction: Oscar Micheaux and Race Movies of the Silent Period / Pearl Bowser, Jane Gaines, and Charles Musser I. Overviews 1. Black Silence and the Politics of Representation / Clyde R. Taylor 2. The Notion of Treatment: Black Aesthetics and Film / based on an interview with Peter Hessli and additional contributions from Pearl Bowser, A. J. Jafa 3. From Shadows 'n Shufflin' to Spotlights and Cinema: The Lafayette Players, 1915-1932 / Sr. Francesca Thompson 4. The African-American Press and Race Movies, 1909-1929 / Charlene Regester II. Oscar Micheaux 5. Oscar Micheaux's Within Our Gates: The Possibilities for Alternative Visions / Michele Wallace 6. Within Our Gates: From Race Melodrama to Opportunity Narrative / Jane Gaines 7. Oscar Micheaux's The Symbol of the Unconquered: Text and Context / Pearl Bowser and Louise Spence 8. To Redream the Dreams of White Playwrights: Reappropriation and Resistance in Oscar Micheaux's Body and Soul / Charles Musser 9. Black Patriarch on the Prairie: National Identity and Black Manhood in the Early Novels of Oscar Micheaux / Jayna Brown 10. Telling White Lies: Oscar Micheaux and Charles W. Chesnutt / Corey Creekmur III. Micheaux's Contemporaries 11. Planes, Trains, and Automobiles: The Flying Ace, the Norman Company, and the Micheaux Connection / Phyllis Klotman 12. Colored Players Film Corporation An Alternative to Micheaux / Charles Musser Lost, then Found: The Wedding Scene from The Scar of Shame (1929) / Pearl Bowser 13. Richard D. Maurice and the Maurice Film Company / Pearl Bowser and Charles Musser 14. Cinematic Foremothers: Zora Neale Hurston and Eloyce King Patrick Gist / Gloria J. Gibson Appendix A. The Reemergence of Oscar Micheaux: A Timeline and Bibliographic Essay / J. Ronald Green Appendix B. An Oscar Micheaux Filmography: From the Silents through His Transition to Sound (1919-1931) / Compiled by Charles Musser, Corey Creekmur, Pearl Bowser, Charlene Regester, Ron Green, and Louise Spence Appendix C. A Colored Players Film Corporation Filmography / Compiled by Charles Musser Appendix D. Norman Film Manufacturing Company: Production and Theatrical Release Dates for All-Black-Cast Films / Compiled by Phyllis Klotman Notes Bibliography / Compiled by Kristen Barnes, Jane Gaines, Fred Neumann, and Hank Okazaki About the Contributors Credits Index
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