Organising Music (eBook, ePUB)

Theory, Practice, Performance
Redaktion: Beech, Nic

• Format: ePub

Produktbeschreibung

Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of 'tales from the field', including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate students and researchers in the fields of organisation studies, music management and the creative industries.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 5. Februar 2015
• Englisch
• ISBN-13: 9781316234365
• Artikelnr.: 42136386

Inhaltsangabe

1. Introduction Nic Beech, Stephen Broad, Ann Cunliffe, Celia Duffy and
Charlotte Gilmore; Part I. Orienting Ideas: Organisation and Organising: 2.
Music and the aesthetic study of organisational life Antonio Strati; 3.
Organising and storytelling David Sims; 4. Organising, music and metaphor:
of connections, comparisons and correspondences Cliff Oswick; 5. Resisting
change and changing resistance Robyn Thomas; 6. Identity work: organising
the self, organising music Christine Coupland; 7. Creative strategy Chris
Bilton and Steve Cummings; Markets and engagement between production and
consumption: 8. Music and the making of markets Katy J. Mason; 9. Consumers
and marketing Mike Saren; 10. Branding and the music market Chris Hackley;
11. Being in the room Alan McCusker Thompson; 12. Music and marketing Alan
Bradshaw; Organising in complex environments: 13. Complexity theory Robert
MacIntosh and Donald MacLean; 14. On leading in networks: the role of
reflexive practices Paul Hibbert; 15. All of me: art, industry and identity
struggles Casper Hoedemaekers and Sierk Ybema; 16. The process of
improvisation Simon Rose and Raymond MacDonald; 17. Managing artistic work
in the real world Davide Nicolini and Gail Greig; Part II. Tales of
Experience: Organising and Performing: 18. Organising playing: reflections
on the festival business Nod Knowles; Organising music festivals Louise
Mitchell and Dimi Stoyanova Russell; Organising and playing a boutique
festival Johnny Lynch and Gretchen Larsen; Managing the Zoeys: some
reminiscences Martin Cloonan; Managing a punk band Marco Panagopoulos and
Shiona Chillas; Blogging, running a label and band management Lloyd
Meredith and Shiona Chillas; The organising and artistic demands of
orchestral performances Simon Webb and Martin Dowling; Leadership in the
BBC Philharmonic Richard Wigley and Elizabeth Gulledge; Orchestrating a
flashmob: reach and reputation Jane Donald and Gail Grieg; Developing a
university's musical culture: a partnership approach Michael Downes;
Organising the National Pop League events John Hunt, Carlo Zanotti and
Charlotte Gilmore; Starting record label: Song by Toad Matthew Young and
Dimi Stoyanova Russell; 19. Playing and organising: traditional music and
the network Lori Watson and Charlotte Gilmore; Multiple simultaneous
projects in traditional and electronica and orchestral music Chris Stout
and Charlotte Gilmore; Storytelling and performance R. M. Hubbert and
Elizabeth Gulledge; Creating and making an album Jenny Reeve and Charlotte
Gilmore; Relationships between music, management, agents and labels Jill
O'Sullivan and Shiona Chillas; Dead or American: reasons to be fearless
Chris Cusak; Experiencing a creative journey Martin Henry and Daragh
O'Reilly; Musical identity: solo artist and band projects Ben Talbot Dunn
and Kevina Cody; An embodiment of a band Duglas T. Stewart, Charlotte
Gilmore and Peter Keenan; Rock music on the big stage Jim Prime and Peter
Keenan; Playing in the Royal Scottish National Orchestra Lance Green, Katy
MacKintosh and Charlotte Gilmore; Reflections of a gigging musician Ian
Smith and Charlotte Gilmore; 20. Next steps in the dialogue: insights for
practising and theorising Charlotte Gilmore and Nic Beech; Index.