Operatic Migrations (eBook, PDF)

Transforming Works and Crossing Boundaries
Redaktion: Thomas, DowningA.

• Format: PDF

Produktbeschreibung

This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the various intersections associated with opera.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 296
• Erscheinungstermin: 5. Juli 2017
• Englisch
• ISBN-13: 9781351555708
• Artikelnr.: 48801207

Autorenporträt

Roberta Montemorra Marvin and Downing A. Thomas are both on the faculty of The University of Iowa, USA

Inhaltsangabe

Contents: Introduction: Migrations and transformations
Roberta Montemorra Marvin; Venice: cradle of (operatic) convention
Ellen Rosand; 'Je vous répondrez au troisième couplet': 18th-century opéra comique and the demands of speech
Downing A. Thomas; From the Comédie-Française to the Opéra: Figaro at the crossroads
Tili Boon Cuillé; Ideological noises: opera criticism in early 18th-century France
Charles Dill; Transformations on stage only: Anfossi's Circe in Weimar
Waltraud Maierhofer; Roman republicanism and operatic heroines in Napoleonic Italy: Tarchi's La congiura pisoniana and Cimarosa's Gli Orazi e i Curiazi
Robert C. Ketterer; Ghostly voices: 'Gothic Opera' and the failure of Gounod's La Nonne sanglante
Anne Williams; Mozart productions and the emergence of Werktreue at London's Italian Opera House
1780-1830
Rachel Cowgill; The mirror of art and scenes of recognition: Wagner and Mann
Grace Kehler; Burlesques
barriers
borders
and boundaries
Roberta Montemorra Marvin; Local color: the representation of race in Carmen and Carmen Jones
Robert L.A. Clark; Operatic school for scandal
David J. Levin; Why (what? How? If?) opera studies?
Herbert Lindenberger; Epilog
Downing A. Thomas; Index.