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Excerpt: ?I do not claim to be an authority on either the history or the practice of chess, but, as the poet Gray observed when he saw his old school from a long way off, it is sometimes an advantage not to know too much of one's subject. The imagination can then be exercised more effectively. So when I am playing Capablanca (or old Robinson) for the championship of the home pastures, my thoughts are not fixed exclusively upon the mate which is threatening; they wander off into those enchanted lands of long ago, when flesh-and-blood knights rode at stone-built castles, and thin-lipped bishops,…mehr

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Excerpt: ?I do not claim to be an authority on either the history or the practice of chess, but, as the poet Gray observed when he saw his old school from a long way off, it is sometimes an advantage not to know too much of one's subject. The imagination can then be exercised more effectively. So when I am playing Capablanca (or old Robinson) for the championship of the home pastures, my thoughts are not fixed exclusively upon the mate which is threatening; they wander off into those enchanted lands of long ago, when flesh-and-blood knights rode at stone-built castles, and thin-lipped bishops, all smiles and side-long glances, plotted against the kings who ventured to oppose them. This is the real fascination of chess.

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Autorenporträt
A.A. Milne (1882-1956) was an English writer. Born in London, Milne was educated at an independent school run by his father. Milne went on to Trinity College, London, where he earned a B.A. in Mathematics while editing and writing for the student magazine Granta. Upon graduating in 1903, Milne worked as a contributor and assistant editor for Punch, Britain's leading humor magazine, while playing amateur cricket. He served in the British Army in the Great War as an officer and was injured at the Battle of the Somme in July of 1916, which led to his work as a propaganda writer for Military Intelligence before his discharge in 1919. Having married in 1913, Milne and his wife Dorothy de Sélincourt welcomed their son Christopher Robin Milne into the world in 1920. Around this time, Milne worked as a screenwriter for the British film industry while continuing to publish in Punch, where his poem "Teddy Bear" appeared in 1924. Marking the first appearance of his character Pooh, this launched Milne's career as a successful children's author. Winnie-the Pooh (1926) and The House at Pooh Corner (1928) were immediate bestsellers for Milne and continue to be read, cherished, and adapted today. Following this success, disturbed by the fame surrounding his son Christopher Robin, who figured as a character in his Pooh stories, Milne turned to writing adult fiction and plays, including Toad of Toad Hall (1929), an adaptation of Kenneth Grahame's beloved novel The Wind in the Willows (1908).