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A genre-breaking novel from a powerful new African voice
It is 2019, The Year of Return. Ghana is inviting Black diasporans to return and get to know the land of their enslaved ancestors. Elton, Vincent, and Scott arrive from America to explore Ghana's colonial past, and to experience the country's underground queer scene. Their visit and activities are narrated by two very different Ghanians: the exuberant and rebellious Kobby, who is their guide to Accra's privileged and queer circles; and Nana, the voice of tradition and religious principle. Neither is very trustworthy and the tense relationship between them sets the tone for what turns into a gripping, energetically told, and often funny tale of murder reminiscent of the novels of Patricia Highsmith, Graham Greene, Chinua Achebe, and Alain Mabanckou.
It is 2019, The Year of Return. Ghana is inviting Black diasporans to return and get to know the land of their enslaved ancestors. Elton, Vincent, and Scott arrive from America to explore Ghana's colonial past, and to experience the country's underground queer scene. Their visit and activities are narrated by two very different Ghanians: the exuberant and rebellious Kobby, who is their guide to Accra's privileged and queer circles; and Nana, the voice of tradition and religious principle. Neither is very trustworthy and the tense relationship between them sets the tone for what turns into a gripping, energetically told, and often funny tale of murder reminiscent of the novels of Patricia Highsmith, Graham Greene, Chinua Achebe, and Alain Mabanckou.
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