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The poems in Naming of the Bones touch on Christian values and work towards a significant faith, at the same time focusing on the wonders of an evolving cosmos. The poems delight in the things of the earth, suggesting a secular Christianity. They hope justice will overcome human greed and violence, while they assent to the seasons developing of our landscapes and the beauty and dangers of our place in creation. The sequence 'Like the Dewfall' works with the music of the French composer Olivier Messiaen and his double piano masterpiece, 'Visions de l'Amen', a suite of seven pieces for two…mehr

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Produktbeschreibung
The poems in Naming of the Bones touch on Christian values and work towards a significant faith, at the same time focusing on the wonders of an evolving cosmos. The poems delight in the things of the earth, suggesting a secular Christianity. They hope justice will overcome human greed and violence, while they assent to the seasons developing of our landscapes and the beauty and dangers of our place in creation. The sequence 'Like the Dewfall' works with the music of the French composer Olivier Messiaen and his double piano masterpiece, 'Visions de l'Amen', a suite of seven pieces for two pianos, composed in 1943 during the Nazi Occupation of Paris. Other poems connect the 'landscape, sea-scape and sky-scape' of the Achill of Deane's formative years to the 'wonders of the Christian faith' with a sacramental awareness that is a striking feature of many of the poems.

Fiona Sampson wrote in the Financial Times, 'The poetry here is always beautiful, and always high stakes because infused with spirituality.' And the theologian Cyril O'Regan comments, 'if Deane is not a prophetic poet by most modern standards - that is, we have to strain to hear denunciation - nonetheless, precisely as a poet he understands himself to be a witness: Poetry tells the truth that we would not tell, lifts the veil on the human condition that we would prefer not to be lifted.'


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Autorenporträt
John F. Deane was born on Achill Island in 1943. He founded Poetry Ireland - the National Poetry Society - and The Poetry Ireland Review in 1978, and is the founder of The Dedalus Press, of which he was editor from 1985 until 2006. In 2008 he was visiting scholar in the Burns Library of Boston College. He was Teilhard de Chardin Fellow in Christian Studies at Loyola University, Chicago, in 2016 and taught a course in poetry. John F. Deane's poetry has been translated and published in France, Bulgaria, Macedonia, Romania, Italy, Slovakia, Sweden and other countries. His poems in Italian won the 2002 Premio Internazionale di Poesia Città di Marineo. His fiction has been published by Blackstaff Press in Belfast; his most recent novel Where No Storms Come was published by Blackstaff in 2011. He is the recipient of the O'Shaughnessy Award for Irish Poetry and the Marten Toonder Award for Literature. John F. Deane is a member of Aosdána, the body established by the Arts Council to honour artists 'whose work had made an outstanding contribution to the arts in Ireland.' His poetry has been shortlisted for the Irish Times Poetry Now Award and the T.S. Eliot Prize. In 1996 Deane was elected Secretary-General of the European Academy of Poetry. In 2007 he was made Chevalier en l'ordre des arts et des lettres by the French government.