Jacqueline Warwick

Musicological Identities (eBook, PDF)

Essays in Honor of Susan McClary

• Format: PDF

Produktbeschreibung

No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 288
• Erscheinungstermin: 5. Juli 2017
• Englisch
• ISBN-13: 9781351556750
• Artikelnr.: 48802122

Autorenporträt

Raymond Knapp is Professor in the Musicology Faculty at UCLA, USA. Steven Baur and Jacqueline Warwick are both Assistant Professors in the Department of Music at Dalhousie University, Canada.

Inhaltsangabe

Contents: Tribute to Susan McClary
Rose Rosengard Subotnik; Introduction
Steven Baur
Raymond Knapp and Jacqueline Warwick. Part I Musical Identities: Gender Sexuality and Race: Value and meaning in The Magic Flute
Lawrence Kramer; Whirling fanatics: orientalism
politics
and religious rivalry in western operatic representation of the orient
Nasser Al-Taee; Reveling in the rubble: where is the love?
George Lipsitz; 'Waltz me round again Willie': gender
ideology and the waltz in the Gilded Age
Steven Baur; 'And the colored girls sing': backup singers and the case of the Blossoms
Jacqueline Warwick; The universe will tell you what it needs: being
time
Sondheim
Paul Attinello. Part II Music and Temporality: Making time - the soundtrack and narrative time
Daniel Goldmark; Sleights of time in the music of Cassandra Wilson
Charles Hiroshi Garrett; Temporal turntables: on temporality and corporeality in dance culture
Stan Hawkins; Resisting the sublime: loose synchronization in La Belle et la Bête and The Dark Side of Oz
John Richardson; Of railroads
Beethoven and Victorian modernity
Ruth A. Solie; Marking time in Pacific Overtures: reconciling East
West and history within the theatrical now of a Broadway musical
Raymond Knapp. Part III Reinventing Analysis: 3 little essays on evanescence
Mitchell Morris; Gender sonics: the voice of Patsy Cline
Richard Leppert; Shoddy equipment for living? Deconstructing Tin Pan Alley song
Rose Rosengard Subotnik; Musicology beyond the score and the performance: making sense of the creak on Miles Davis's 'Old Folks'
David Atke; Uninvited: gender
schizophrenia and Alanis Morissette
Robert Walker; Index.