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  • Format: ePub

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper , first published in 1880, stands out because of its rich musical content. Judith Barger introduces and catalogues the musical content issued during the magazine's first thirty years, in music scores, serialized fiction, music-related nonfiction, poetry, illustrations and replies to musical correspondents. A user's guide precedes the chronological annotated catalogue;…mehr

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Produktbeschreibung
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Judith Barger introduces and catalogues the musical content issued during the magazine's first thirty years, in music scores, serialized fiction, music-related nonfiction, poetry, illustrations and replies to musical correspondents. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.


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Autorenporträt
Judith Barger is an independent scholar who holds PhDs in musicology (Indiana University) and nursing (The University of Texas at Austin). After a career as a United States Air Force nurse, she turned her attention to music, concentrating on music history and the organ. She is the author of Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England (Ashgate 2007) and Beyond the Call of Duty: Army Flight Nursing in World War II (2013). Dr Barger lives in Little Rock, Arkansas, USA.