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As performative and political acts, translation, intervention, and participation are movements that take place across, along, and between borders. Such movements traverse geographic boundaries, affect social distinctions, and challenge conceptual categorizations - while shifting and transforming lines of separation themselves. This book brings together choreographers, movement practitioners, and theorists from various fields and disciplines to reflect upon such dynamics of difference. From their individual cultural backgrounds, they ask how these movements affect related fields such as corporeality, perception, (self-)representation, and expression.…mehr
As performative and political acts, translation, intervention, and participation are movements that take place across, along, and between borders. Such movements traverse geographic boundaries, affect social distinctions, and challenge conceptual categorizations - while shifting and transforming lines of separation themselves. This book brings together choreographers, movement practitioners, and theorists from various fields and disciplines to reflect upon such dynamics of difference. From their individual cultural backgrounds, they ask how these movements affect related fields such as corporeality, perception, (self-)representation, and expression.
Gabriele Brandstetter (Prof. Dr.) is Professor of Theater and Dance Studies at the Freie Universität Berlin and co-director of the International Research Center »Interweaving Performance Cultures«, Freie Universität Berlin. Holger Hartung (Dr. phil.) is a theater and dance scholar and works in the field of digital transformation at Hochschule für Musik Hanns Eisler Berlin. He was coordinator of the international research center »Interweaving Performance Cultures« at Freie Universität Berlin for twelve years. His research interests include intersections between theater, performance, choreography and visual arts as well as questions of mediality, materiality, digitality and feedback processes.
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