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Misogyny Online explores the worldwide phenomenon of gendered cyberhate as a significant discourse which has been overlooked and marginalised. The rapid growth of the internet has led to numerous opportunities and benefits; however, the architecture of the cybersphere offers users unprecedented opportunities to engage in hate speech. A leading international researcher in this field, Emma A. Jane weaves together data and theory from multiple disciplines and expresses her findings in a style that is engaging, witty and powerful. Misogyny Online is an important read for students and faculty members alike across the social sciences and humanities.…mehr

Produktbeschreibung
Misogyny Online explores the worldwide phenomenon of gendered cyberhate as a significant discourse which has been overlooked and marginalised. The rapid growth of the internet has led to numerous opportunities and benefits; however, the architecture of the cybersphere offers users unprecedented opportunities to engage in hate speech. A leading international researcher in this field, Emma A. Jane weaves together data and theory from multiple disciplines and expresses her findings in a style that is engaging, witty and powerful. Misogyny Online is an important read for students and faculty members alike across the social sciences and humanities.


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Autorenporträt
Emma A. Jane is a Senior Research Fellow in the School of the Arts and Media at the University of New South Wales, Australia. She is currently involved in two major research projects: one on gendered cyberhate, and another on the ethics of cognitive enhancement or 'smart drugs'. Prior to commencing her academic career, Emma spent nearly 25 years working in the Australian print, electronic, and on-line media. She has written seven previous books including a novel, Deadset, which won the Commonwealth Writers' Prize for Asia and the South Pacific for Best First Novel in 1997.

Rezensionen
If R.D. Laing was correct in saying few books are forgivable, then it s surely the case that fewer still are necessary. This book is. Emma Jane has taken some well-worn media and cultural studies orthodoxies and subjected them to a series of trenchant, persuasive, and often laugh-out-loud criticisms. People analysing cybersphere culture and discourse cannot afford to ignore this book.
Chris Fleming