20,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
10 °P sammeln
  • Format: PDF

The terms »mind« and »matter« appear to signify two concepts irreplaceable and permanent in nature. The increasing challenges and modes of reflection of digital life and cultural creation have contributed to a productive doubting of said dichotomy. Net culture has exposed the causality of the two only superficially contradictory systems and translated these into new technological realities. This publication, using an interdisciplinary approach, strives to investigate the entanglement of cultural, artistic and technical praxis, to document the developments, to clarify the status quo of the…mehr

Produktbeschreibung
The terms »mind« and »matter« appear to signify two concepts irreplaceable and permanent in nature. The increasing challenges and modes of reflection of digital life and cultural creation have contributed to a productive doubting of said dichotomy. Net culture has exposed the causality of the two only superficially contradictory systems and translated these into new technological realities. This publication, using an interdisciplinary approach, strives to investigate the entanglement of cultural, artistic and technical praxis, to document the developments, to clarify the status quo of the scientific community in a practical and exemplary fashion and to enable glimpses of potential future developments.
Autorenporträt
Günther Friesinger is philosopher, artist, curator and producer. He is founder and head of the paraflows festival, chairman of the QDK - quarter for digital culture, general manager of monochrom, producer of the Arse Elektronika festival, the Roboexotica Festival and the KOMM.ST Festival. Friesinger teaches cultural management, production, social media, scenography & exhibition design at several universities in Austria, Germany and Switzerland. Johannes Grenzfurthner is an artist, writer, curator, and director. He is the founder of monochrom. He teaches art theory and aesthetical practice at the University of Applied Sciences in Graz, Austria. Thomas Ballhausen studied Comparative Literature and German at the University of Vienna. He is a lecturer at the University of Vienna and head of the Studies-Department of the Austrian Film Archive.