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Milton Across Borders and Media is an unprecedented collaboration that demonstrates the breadth of John Milton's international reception across diverse media from the seventeenth century through today. This volume presents new essays on the adaptation of Milton's works into various languages and media around the world. Part I poses questions about how we can effectively situate and engage with Milton's works within the multimedia networks of the present day. Part II 'Interlingual Borders' keys in on the cultural, technological, and temporal elements of interlingual translation that make them…mehr
Milton Across Borders and Media is an unprecedented collaboration that demonstrates the breadth of John Milton's international reception across diverse media from the seventeenth century through today. This volume presents new essays on the adaptation of Milton's works into various languages and media around the world. Part I poses questions about how we can effectively situate and engage with Milton's works within the multimedia networks of the present day. Part II 'Interlingual Borders' keys in on the cultural, technological, and temporal elements of interlingual translation that make them intersemiotic. Part III 'Verbal Borders' features media that draw out the themes and characters of Milton's writing through verbal expression. Part IV focuses on the transference of Milton's verbal artwork into visual artwork, from book illustration to stained glass. Part V 'Auditory Media' extends the focus on multimedia, with aural media as the chief feature.
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Islam Issa is Professor of Literature and History at Birmingham City University. He is author of Milton in the Arab-Muslim World (2016), winner of the Milton Society of America's First Book award, Shakespeare and Terrorism (2021), and Alexandria: The City that Changed the World (2023). He is co-editor of Milton in Translation (2017), winner of the Milton Society of America's Irene Samuel Memorial Award, and Digital Milton (2018). As a broadcaster and curator, he has presented radio and TV programmes including Cleopatra and Me: In Search of a Lost Queen, and curated exhibitions at public venues including Shakespeare's Birthplace. Angelica Duran is Professor at Purdue University where she has been on the English and Comparative Literature faculties since earning her PhD in English Literature from Stanford in 2000, and has served as Director of the Religious Studies Program and Interim Director of the Creative Writing Program. She is the author of over 60 shorter publications and two monographs, most recently Milton among Spaniards (2020). She is the editor or co-editor five volumes including Milton in Translation (2017).
Inhaltsangabe
* Part I: Intersemiotic Approaches * 1: Angelica Duran and Islam Issa: Introduction: 'The Meaning not the Name' * 2: Michael Ullyot: Motives, Methods, and Milton: Presentism Reconciled to Historicism * 3: Peter C. Herman: Milton in the Age of Twitter: Carey's The Essential 'Paradise Lost' * 4: David Currell: Milton for Students: Towards a Teaching and Learning Archive * Part II: Interlingual Borders * 5: Katie Mennis: Latinizing Milton in the English West Indies * 6: Geart van der Meer: Milton's Paradise Lost in Frisian Translations * 7: Turið Sigurðardóttir: On the Faroese Reworking of Paradise Lost * 8: Mustafa Kirca, Hasan Baktir, and Murat Ö ütcü, with Islam Issa and Angelica Duran: Milton Lost and Regained in Turkey * Part III: Verbal Borders * 9: Amrita Dhar: Madhusudan's Miltonic Epic, the Meghn dbadh k bya * 10: Stephen K. Kim: Encountering Milton in Linmark's Leche * 11: Mario Murgia: Paradise Lost for Hispanoamerica's Youth * Part IV: Visual Media * 12: Jan F. van Dijkhuizen and Lucy McGourty: Narrative Structure, Intervisuality, and Theology in Auladell's El Paraíso perdido * 13: Amina Gabrielova: Miltonic Motifs in Russian Poetry and Art * 14: Wendy Furman-Adams: Illuminating Milton's Gendered Instant of Creation * 15: Camille Adnot: From Milton's Paradise Lost to Blake's Milton * 16: Beverley Sherry: Paradise Lost in Stained Glass * 17: Richard Kenton Webb, Islam Issa, and Angelica Duran: The Synergies of Drawing and Painting Paradise Lost * Part V: Auditory Media * 18: Seth Herbst: The Milton and Music Problem * 19: Stephen M. Buhler: Quoting Milton in Musical Appropriations * 20: Jonathan R. Olson: Miltonic Tempters in Scorsese's The Wolf of Wall Street * 21: Angelica Duran: Seeing, Hearing, and Feeling Milton's Works with and as Prosthetic Sign Systems * 22: John Hale: Milton Marathons * Epilogue
* Part I: Intersemiotic Approaches * 1: Angelica Duran and Islam Issa: Introduction: 'The Meaning not the Name' * 2: Michael Ullyot: Motives, Methods, and Milton: Presentism Reconciled to Historicism * 3: Peter C. Herman: Milton in the Age of Twitter: Carey's The Essential 'Paradise Lost' * 4: David Currell: Milton for Students: Towards a Teaching and Learning Archive * Part II: Interlingual Borders * 5: Katie Mennis: Latinizing Milton in the English West Indies * 6: Geart van der Meer: Milton's Paradise Lost in Frisian Translations * 7: Turið Sigurðardóttir: On the Faroese Reworking of Paradise Lost * 8: Mustafa Kirca, Hasan Baktir, and Murat Ö ütcü, with Islam Issa and Angelica Duran: Milton Lost and Regained in Turkey * Part III: Verbal Borders * 9: Amrita Dhar: Madhusudan's Miltonic Epic, the Meghn dbadh k bya * 10: Stephen K. Kim: Encountering Milton in Linmark's Leche * 11: Mario Murgia: Paradise Lost for Hispanoamerica's Youth * Part IV: Visual Media * 12: Jan F. van Dijkhuizen and Lucy McGourty: Narrative Structure, Intervisuality, and Theology in Auladell's El Paraíso perdido * 13: Amina Gabrielova: Miltonic Motifs in Russian Poetry and Art * 14: Wendy Furman-Adams: Illuminating Milton's Gendered Instant of Creation * 15: Camille Adnot: From Milton's Paradise Lost to Blake's Milton * 16: Beverley Sherry: Paradise Lost in Stained Glass * 17: Richard Kenton Webb, Islam Issa, and Angelica Duran: The Synergies of Drawing and Painting Paradise Lost * Part V: Auditory Media * 18: Seth Herbst: The Milton and Music Problem * 19: Stephen M. Buhler: Quoting Milton in Musical Appropriations * 20: Jonathan R. Olson: Miltonic Tempters in Scorsese's The Wolf of Wall Street * 21: Angelica Duran: Seeing, Hearing, and Feeling Milton's Works with and as Prosthetic Sign Systems * 22: John Hale: Milton Marathons * Epilogue
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