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This introduction to the staging of genders and sexuality across world theatre sets out a broad view of the subject by featuring plays and performance artists that shifted the conversation in their cultural, social, and historical moments.
This introduction to the staging of genders and sexuality across world theatre sets out a broad view of the subject by featuring plays and performance artists that shifted the conversation in their cultural, social, and historical moments.
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Emily A. Rollie (PhD) is an associate professor of Theatre and affiliate faculty in Women's, Gender, and Sexuality Studies at Central Washington University, USA.
Inhaltsangabe
Introduction Emily A. Rollie 1. The Enduring Legacy of Ntozake Shange and Adrienne Kennedy Martine Kei Green-Rogers 2. Staging Queer Feminisms and Legacies in North America Bess Rowen 3. Making Lesbian-Feminist Theatre: Lois Weaver, Tammy Whynot, and the Legacy of Split Britches Benjamin Gillespie 4. Harnessing the Political Power of Traditional Femininity in the 1980s: David Henry Hwang's M. Butterfly and Griselda Gambaro's Antígona furiosa Rachel M.E. Wolfe 5. Staging Genders & Centering Women's Voices in West African Theatres Heather Jeanne Denyer and Ngozi Udengwu 6. Crossing Borders and Transforming Gender Identities: Mahesh Dattani and Majula Padmanabhan Jashodhara Sen 7. Staging Indigenous Women's Voices, Histories, and Power Yvette Nolan and Emily A. Rollie 8. Agency through Adaptation: MENA Women in Shakespeare's Sisters, Jogging , and Noura Nabra Nelson and Marina Johnson 9. Staging and Critiquing Masculinities: Between Pancho Villa and a Naked Woman and Straight White Men Ramón Esquivel 10. Refuting Narratives of Newness, Constructing Transgender Community Nicolas Shannon Savard
Introduction Emily A. Rollie 1. The Enduring Legacy of Ntozake Shange and Adrienne Kennedy Martine Kei Green-Rogers 2. Staging Queer Feminisms and Legacies in North America Bess Rowen 3. Making Lesbian-Feminist Theatre: Lois Weaver, Tammy Whynot, and the Legacy of Split Britches Benjamin Gillespie 4. Harnessing the Political Power of Traditional Femininity in the 1980s: David Henry Hwang's M. Butterfly and Griselda Gambaro's Antígona furiosa Rachel M.E. Wolfe 5. Staging Genders & Centering Women's Voices in West African Theatres Heather Jeanne Denyer and Ngozi Udengwu 6. Crossing Borders and Transforming Gender Identities: Mahesh Dattani and Majula Padmanabhan Jashodhara Sen 7. Staging Indigenous Women's Voices, Histories, and Power Yvette Nolan and Emily A. Rollie 8. Agency through Adaptation: MENA Women in Shakespeare's Sisters, Jogging , and Noura Nabra Nelson and Marina Johnson 9. Staging and Critiquing Masculinities: Between Pancho Villa and a Naked Woman and Straight White Men Ramón Esquivel 10. Refuting Narratives of Newness, Constructing Transgender Community Nicolas Shannon Savard
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