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By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and…mehr
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.
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David Neumeyer is Marlene and Morton Meyerson Professor of Music in the Sarah and Ernest Butler School of Music, The University of Texas at Austin. James Buhler is Associate Professor of Music Theory in the Sarah and Ernest Butler School of Music, The University of Texas at Austin.
Inhaltsangabe
Preface and Acknowledgments Part 1: Meaning and Interpretation 1. Music in the Vococentric Cinema 2. Tools for Analysis and Interpretation Part 2: Music in the Mix: Casablanca by David Neumeyer and James Buhler 3. Acoustic Stylization: The Film's Sound World 4. Music and Utopia: A Reading of the Reunion Scene 5. The Reunion Scene's Contexts Part 3: Topics and Tropes: Two Preludes by Bach 6. Performers Onscreen 7. Underscore: Four Studies of the Prelude in C Major Notes Bibliography Index
Preface and Acknowledgments Part 1: Meaning and Interpretation 1. Music in the Vococentric Cinema 2. Tools for Analysis and Interpretation Part 2: Music in the Mix: Casablanca by David Neumeyer and James Buhler 3. Acoustic Stylization: The Film's Sound World 4. Music and Utopia: A Reading of the Reunion Scene 5. The Reunion Scene's Contexts Part 3: Topics and Tropes: Two Preludes by Bach 6. Performers Onscreen 7. Underscore: Four Studies of the Prelude in C Major Notes Bibliography Index
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