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Enjoying the success of his Letters to Dead Authors column, Andrew Lang wanted to be able to talk about more contemporary authors. But, since there's a difference between writing to authors who are no longer living, and those who still are, Lang instead crafted a series of hypothetical response letters to imaginary people asking him for his opinion on certain topics.
One of the things that struck me about these letters was just how much smaller the literary community was back then. Lang spoke of 60 current poets in England, and 18 that he knew of in America. It really made me realize how
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Produktbeschreibung
Enjoying the success of his Letters to Dead Authors column, Andrew Lang wanted to be able to talk about more contemporary authors. But, since there's a difference between writing to authors who are no longer living, and those who still are, Lang instead crafted a series of hypothetical response letters to imaginary people asking him for his opinion on certain topics.

One of the things that struck me about these letters was just how much smaller the literary community was back then. Lang spoke of 60 current poets in England, and 18 that he knew of in America. It really made me realize how far we've come in some regards - there have been nearly a million books published so far this year.

Many of the letters focus on various poets, although Lang does throw in a few about popular authors of the time, and a couple about what a person "should" be reading. There's also a letter from his wife to one of her friends about the portrayal of women in (then) modern literature.

Contents

Introductory: of modern English poetry -- Of modern English poetry -- Fielding -- Longfellow -- A friend of Keats -- On Virgil -- Aucassin and Nicolette -- Plotinus (200-262 A.D.) -- Lucretius -- To a young American bookhunter -- Rochefoucauld -- Of vers de société -- On vers de société -- Richardson -- Gérard de Nerval -- On books about red men.
Autorenporträt
Andrew Lang (1844 - 1912) was a Scottish poet, novelist, literary critic and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor. The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections. Lang examined the origins of totemism in Social Origins (1903).