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Leftovers presents selections from Hughes' published and unpublished writings, chosen by the author, and with commentaries supplied by Hughes regarding their composition, intent, and relevance (or lack of such). The nonfiction ranges from Hughes' most current work, the science-based Ydentitysm, to pieces which though now outdated (after 40 years of studying religion, Hughes concludes that religious perspectives have outlived their usefulness) nevertheless contain telling points for those interested in human identity, psychology, and meaning. Hughes' fictional excerpts include the humorous, the…mehr

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Produktbeschreibung
Leftovers presents selections from Hughes' published and unpublished writings, chosen by the author, and with commentaries supplied by Hughes regarding their composition, intent, and relevance (or lack of such). The nonfiction ranges from Hughes' most current work, the science-based Ydentitysm, to pieces which though now outdated (after 40 years of studying religion, Hughes concludes that religious perspectives have outlived their usefulness) nevertheless contain telling points for those interested in human identity, psychology, and meaning. Hughes' fictional excerpts include the humorous, the satirical, the absurd, and the eerie. Almost an entire long story, The Viper with the Human Tongue, is included in the pulp fiction genre. An absurdist play on Tom Thomson that is reminiscent of Beckett's Waiting for Godot is presented in its entirety. And Hughes' poetry ranges from the Fluxus-inspired to Canadian landscape.


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Autorenporträt
Robert Hughes has been teaching Literature and Composition for 30 years. The interest which informs his work involves identity in relation to the environment. As Hughes says, words, also, make up much of our environment, as do our own actions. The creating of worded works effects (not affects) our environmental identity. Indeed (Hughes notes) McLuhan makes the point that our environment remains for the most part invisible and inaccessible. Hughes tries to make it audible. This effort to investigate and embody identity itself frequently expresses itself in humour and whimsy, but is no less sincere for that. For more about Robert Hughes, visit bodywisdom.press.