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This book debunks the myth of Polish Modernist literature as rooted in rash, immediate expression. The author compares programmatic statements on language by turn-of-the-century writers such as Waclaw Berent, Boleslaw Lesmian, Stanislaw Brzozowski or Karol Irzykowski with notions deduced from their literary works. He demonstrates that these writers' linguistic self-consciousness informs their implicitly self-reflexive texts and sheds light on their values and characteristic qualities. The author treats Modernist literature itself as a sort of «language» - a distinct entity that emerged through…mehr

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Produktbeschreibung
This book debunks the myth of Polish Modernist literature as rooted in rash, immediate expression. The author compares programmatic statements on language by turn-of-the-century writers such as Waclaw Berent, Boleslaw Lesmian, Stanislaw Brzozowski or Karol Irzykowski with notions deduced from their literary works. He demonstrates that these writers' linguistic self-consciousness informs their implicitly self-reflexive texts and sheds light on their values and characteristic qualities. The author treats Modernist literature itself as a sort of «language» - a distinct entity that emerged through systematic differentiation within the general literary discourse. The book enhances the understanding of the transformations behind this important philosophical and artistic movement.


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Autorenporträt
Ryszard Nycz is a literary theorist and historian. He is a member of the Polish Academy of Sciences and Professor at the Jagiellonian University.