Chapter 1: Introduction.- Chapter 2: The Communicative Setting of the Eurovision Song Contest (ESC).- Chapter 3: The Language-Identity-Normativity Interface and Critical Discourse Studies.- Chapter 4: Language Choice Practices in the ESC.- Chapter 5: Code-Switching Practices in ESC Performances.- Chapter 6: The Linguistic Construction of Europeanness, Nationalism and Sexuality in ESC Performances.- Chapter 7: Multimodal Identity Construction in ESC Performances.- Chapter 8: Prevalent Discourses in ESC Lyrics.- Chapter 9: Overview.
Chapter 1: Introduction.- Chapter 2: The Communicative Setting of the Eurovision Song Contest (ESC).- Chapter 3: The Language-Identity-Normativity Interface and Critical Discourse Studies.- Chapter 4: Language Choice Practices in the ESC.- Chapter 5: Code-Switching Practices in ESC Performances.- Chapter 6: The Linguistic Construction of Europeanness, Nationalism and Sexuality in ESC Performances.- Chapter 7: Multimodal Identity Construction in ESC Performances.- Chapter 8: Prevalent Discourses in ESC Lyrics.- Chapter 9: Overview.
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"This book is a notable addition to the field of sociolinguistics and critical discourse studies, one that I would recommend to anyone invested in gender or European scholarship." (Vincent Pak, Language in Society, Vol. 49 (1), 2020)
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