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This fiction is based on the writer's personal experiences of traveling and flamenco, and his view of literature and art. An image leaflet has been laid on the bookshelf in the author's study since he got it free in the year of 2000 in an art gallery located in the downtown of Portland. The image, which is on the front cover of this book, reminds him of Portland, a city of light and shade, where he happened to see a street flamenco show for the first time in his life. Had he not seen it in Portland, he would not have written this autobiographic story. At that time a flamenco dancer named…mehr

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Produktbeschreibung
This fiction is based on the writer's personal experiences of traveling and flamenco, and his view of literature and art. An image leaflet has been laid on the bookshelf in the author's study since he got it free in the year of 2000 in an art gallery located in the downtown of Portland. The image, which is on the front cover of this book, reminds him of Portland, a city of light and shade, where he happened to see a street flamenco show for the first time in his life. Had he not seen it in Portland, he would not have written this autobiographic story. At that time a flamenco dancer named 'Helena' loving Korean paintings was there in the city. Therefore now a literary work on flamenco, art and traveling titled 'Landscapes Invisible' is here.

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Autorenporträt
Joon Kim, writer and flamenco performance planner, Ph.D. in international politics, lives in Masan, South Korea, where he was born in 1944. He has written eight literary books in Korean and one e-book in English, and translated four English books into Korean. He worked for Kyung Nam Domin Daily in Kyung Nam Do as an editorial writer (1999-2001). He produced and directed five flamenco-pansori performances (2005- 2013). He is the author of seven fact-fiction books in Korean on local painters and their artworks, in series, titled 'Chang Dong in Blue' published for fifteen years of 2004-2019.