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In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent…mehr
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Joseph Luzzi is Associate Professor of Italian and Director of Italian Studies at Bard College, USA, and the author of Romantic Europe and the Ghost of Italy (2008), which received the MLA's Scaglione Prize for Italian Studies and was named an Outstanding Academic Title by Choice (2009).
Inhaltsangabe
List of Contributors Glossary Mattia Acetoso (Boston College USA) Chronology Mattia Acestoso (Boston College USA) Introduction Joseph Luzzi (Bard College USA) Part I - Chronologies and Movements 1. Italian Silent Film Antonio Costa (Università di Padova Italy) 2. Futurism and Film Michael Syrimis (Tulane University USA) 3. The Never-Ending Story of Film and Fascism Vito Zagarrio (Università di Roma Tre Italy) 4. Neorealism Giuliana Minghelli (McGill University Canada) 5. The Orphaned Generation: Cinema of the 1980s and 1990s Alessia Ricciardi (Northwestern University USA) 6. Persistence of Vision: Realism and the Popular in Italian Cinema of the New Millennium Millicent Marcus (Yale University USA) Part II - Gender Genre Theory 7. The Five Faces of the Italian Femme Fatale Stephen Gundle (University of Warwick UK) 8. Italian Women's Cinema and the Wounded Filmic Body Dana Renga (The Ohio State University USA) 9. The Cinematic Evolution of Commedia all'Italiana Marcia Landy (University of Pittsburgh USA) 10. Popular Italian Cinema Catherine O'Rawe (University of Bristol UK) 11. Italian Film Theory 1907-2015 Gabriele Pedullà (Università di Roma Tre Italy) Part III - Relations and Debates 12. Film Music: "Kaos and the Taviani" Daniela Bini (University of Texas Austin USA) 13. Photography and Film Sarah Carey (McGraw-Hill Education) 14. Television and Film Stefano Baschiera (Queen's University Belfast UK) 15. Italian Documentary and the Predicaments of the Auteur Luca Caminati (Concordia University Canada) and Mauro Sassi (Independent Scholar) 16. The Global Impact of Italian Neorealism Laura E. Ruberto (Berkeley City College USA) and Kristi M. Wilson (Soka University of America USA) Part IV - Films in Focus 17. Cabiria Robert Rushing (University of Illinois Urbana-Champaign USA) 18. Senso Brendan Hennessey (Binghamton University USA) 19. Bitter Rice Charles L. Leavitt IV (University of Notre Dame USA) 20. La strada Federico Pacchioni (Chapman University USA) 21. L'avventura John David Rhodes (University of Cambridge UK) 22. Once upon a Time in the West Maryann McDonald Carolan (Fairfield University USA) 23. Theorem Robert S.C. Gordon (University of Cambridge UK) 24. The Conformist Michael Cramer (Sarah Lawrence College USA) 25. Love and Anarchy Bernadette Luciano (University of Auckland New Zealand) 26. The Best of Youth Alan O'Leary (University of Leeds UK) Part V - Behind the Scenes 27. Sound and Soundtrack in Italian Cinema Monica Facchini (Colgate University USA) 28. Screenwriting Cosetta Gaudenzi (University of Memphis USA) 29. Open-Air Cinema Allison Cooper (Bowdoin College USA) Index
List of Contributors Glossary Mattia Acetoso (Boston College USA) Chronology Mattia Acestoso (Boston College USA) Introduction Joseph Luzzi (Bard College USA) Part I - Chronologies and Movements 1. Italian Silent Film Antonio Costa (Università di Padova Italy) 2. Futurism and Film Michael Syrimis (Tulane University USA) 3. The Never-Ending Story of Film and Fascism Vito Zagarrio (Università di Roma Tre Italy) 4. Neorealism Giuliana Minghelli (McGill University Canada) 5. The Orphaned Generation: Cinema of the 1980s and 1990s Alessia Ricciardi (Northwestern University USA) 6. Persistence of Vision: Realism and the Popular in Italian Cinema of the New Millennium Millicent Marcus (Yale University USA) Part II - Gender Genre Theory 7. The Five Faces of the Italian Femme Fatale Stephen Gundle (University of Warwick UK) 8. Italian Women's Cinema and the Wounded Filmic Body Dana Renga (The Ohio State University USA) 9. The Cinematic Evolution of Commedia all'Italiana Marcia Landy (University of Pittsburgh USA) 10. Popular Italian Cinema Catherine O'Rawe (University of Bristol UK) 11. Italian Film Theory 1907-2015 Gabriele Pedullà (Università di Roma Tre Italy) Part III - Relations and Debates 12. Film Music: "Kaos and the Taviani" Daniela Bini (University of Texas Austin USA) 13. Photography and Film Sarah Carey (McGraw-Hill Education) 14. Television and Film Stefano Baschiera (Queen's University Belfast UK) 15. Italian Documentary and the Predicaments of the Auteur Luca Caminati (Concordia University Canada) and Mauro Sassi (Independent Scholar) 16. The Global Impact of Italian Neorealism Laura E. Ruberto (Berkeley City College USA) and Kristi M. Wilson (Soka University of America USA) Part IV - Films in Focus 17. Cabiria Robert Rushing (University of Illinois Urbana-Champaign USA) 18. Senso Brendan Hennessey (Binghamton University USA) 19. Bitter Rice Charles L. Leavitt IV (University of Notre Dame USA) 20. La strada Federico Pacchioni (Chapman University USA) 21. L'avventura John David Rhodes (University of Cambridge UK) 22. Once upon a Time in the West Maryann McDonald Carolan (Fairfield University USA) 23. Theorem Robert S.C. Gordon (University of Cambridge UK) 24. The Conformist Michael Cramer (Sarah Lawrence College USA) 25. Love and Anarchy Bernadette Luciano (University of Auckland New Zealand) 26. The Best of Youth Alan O'Leary (University of Leeds UK) Part V - Behind the Scenes 27. Sound and Soundtrack in Italian Cinema Monica Facchini (Colgate University USA) 28. Screenwriting Cosetta Gaudenzi (University of Memphis USA) 29. Open-Air Cinema Allison Cooper (Bowdoin College USA) Index
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