Interface Cultures (eBook, PDF)
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From media art archeology to contemporary interaction design - the term interface culture is based on a vivid and ongoing discourse in the fields of interactive art, interaction design, game design, tangible interfaces, auditory interfaces, fashionable technologies, wearable devices, intelligent ambiences, sensor technologies, telecommunication and new experimental forms of human-machine, human-human and machine-machine interactions and the cultural discourse surrounding them. This book's aim is to give an overview of the current state of interactive art and interface technology as well as an…mehr

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Produktbeschreibung
From media art archeology to contemporary interaction design - the term interface culture is based on a vivid and ongoing discourse in the fields of interactive art, interaction design, game design, tangible interfaces, auditory interfaces, fashionable technologies, wearable devices, intelligent ambiences, sensor technologies, telecommunication and new experimental forms of human-machine, human-human and machine-machine interactions and the cultural discourse surrounding them. This book's aim is to give an overview of the current state of interactive art and interface technology as well as an outlook on new forms of hybridization in art, media, scientific research and every-day media applications.
Autorenporträt
Christa Sommerer (Prof. Dr.) is professor and head of the master and doctoral study course »Interface Cultures« at the University of Art and Industrial Design in Linz. She ranks among the most influential media artists creating pioneering interactive art works. Laurent Mignonneau (Prof. Dr.) is professor and head of the master and doctoral study course »Interface Cultures« at the University of Art and Industrial Design in Linz. He ranks among the most influential media artists creating pioneering interactive art works. Dorothée King (Ph.D.), born in 1979, is a professor of arts and design education and serves as the Head of the Institute of Arts and Design Education at Hochschule für Gestaltung und Kunst Basel FHNW. Before, she taught at the Rhode Island School of Design, the Transart Institute in NYC, and the Banff New Media Institute in Canada. Her research focuses on ephemerality and the histories of art schools. She also runs international workshops on digital storytelling.