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This volume engages with the recent and ongoing consolidation of "world literature" as a paradigm of study, noting that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academics, critics, readers, and authors. It substantiates, refines, and interrogates current approaches to world literature, focusing on the poetics of writers themselves, market dynamics, postcolonial negotiations, and translation, engaging a range of related disciplines. This book explores how singular literary works become inserted in transnational…mehr

Produktbeschreibung
This volume engages with the recent and ongoing consolidation of "world literature" as a paradigm of study, noting that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academics, critics, readers, and authors. It substantiates, refines, and interrogates current approaches to world literature, focusing on the poetics of writers themselves, market dynamics, postcolonial negotiations, and translation, engaging a range of related disciplines. This book explores how singular literary works become inserted in transnational systems, and how transnational and institutional dimensions of literature are inflected in literary works.


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Autorenporträt
Stefan Helgesson is Professor of English at Stockholm University. He is the author of Writing in Crisis: Ethics and History in Gordimer, Ndebele and Coetzee (2004) and Transnationalism in Southern African Literature (2009), and the editor of Literary History: Towards a Global Perspective, vol. 4 (2006). Pieter Vermeulen is Assistant Professor of American Literature at the University of Leuven, Belgium. He is the author of Romanticism after the Holocaust (2010) and Contemporary Literature and the End of the Novel: Creature, Affect, Form (2015).