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IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee’s latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality, whether it’s the celebrated paintings of J.M.W. Turner and Frida Kahlo, a French archeological cave, the Bosphorus Straits, a major Japanese waterfall or Memphis’s Beale Street. IMAGINARIUM invited readers into a two-way exchange, imagination as seeing, seeing as imagination.
IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee’s latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality, whether it’s the celebrated paintings of J.M.W. Turner and Frida Kahlo, a French archeological cave, the Bosphorus Straits, a major Japanese waterfall or Memphis’s Beale Street. IMAGINARIUM invited readers into a two-way exchange, imagination as seeing, seeing as imagination.
A. ROBERT LEE was a professor in the English department at Nihon University from 1997-2011. British-born, he previously taught at the University of Kent, UK. His creative work includes Japan Textures: Sight and Word, with Mark Gresham (2007), Tokyo Commute: Japanese Customs and Way of Life Viewed from the Odakyu Line (2011), and the verse collections Ars Geographica: Maps and Compasses (2012), Portrait and Landscape: Further Geographies (2013), and Imaginarium: Sightings, Galleries, Sightlines (2013). Among his academic publications are Multicultural American Literature: Comparative Black, Native, Latino/a and Asian Fictions (2003), which won the American Book Award in 2004, and Modern American Counter Writing: Beats, Outriders, Ethnics (2010). Currently he lives in Murcia, Spain.
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