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A groundbreaking voice in contemporary Latin American literature, María Fernanda Ampuero's writing is "raw and savage" as she confronts machismo, inequity, and violence in this acclaimed short story collection (Vistazo).
An undocumented woman answers a job posting only to find herself held hostage, a group of outcasts obsess over boys drowned while surfing, and an unhappy couple finds themselves trapped in a terrifying maze. With scalpel-like precision, Ampuero considers the price paid by those on the margins so that the elite might lounge comfortably, considering themselves safe in their…mehr

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A groundbreaking voice in contemporary Latin American literature, María Fernanda Ampuero's writing is "raw and savage" as she confronts machismo, inequity, and violence in this acclaimed short story collection (Vistazo).

An undocumented woman answers a job posting only to find herself held hostage, a group of outcasts obsess over boys drowned while surfing, and an unhappy couple finds themselves trapped in a terrifying maze. With scalpel-like precision, Ampuero considers the price paid by those on the margins so that the elite might lounge comfortably, considering themselves safe in their homes.

Simultaneously terrifying and exquisite, Human Sacrifices is "tropical gothic" at its finest-decay and oppression underlie our humid and hostile world, where working-class women and children are consistently the weakest links in a capitalist economy. Against this backdrop of corrosion and rot, these twelve stories contemplate the nature of exploitation and abuse, illuminating the realities of those society consumes for its own pitiless ends.


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Autorenporträt
María Fernanda Ampuero is a writer and a journalist, born in Guayaquil, Ecuador, in 1976. She has been published in newspapers and magazines around the world, and is the author of the journalistic narrative nonfiction titles Lo que aprendí en la peluquería and Permiso de residencia. She is also author of the short story collection Cockfight, which has been translated into several languages, and recipient of the Cosecha Eñe Award for Short Stories. In 2012 she was selected as one of the 100 Most Influential Latin Americans in Spain, and in 2018, she won the first Mad Women Fest Short Story Prize.

Frances Riddle has translated numerous Spanish-language authors including Isabel Allende, Claudia Piñeiro, Leila Guerriero, and Sara Gallardo. Her translation of Elena Knows by Claudia Piñeiro was shortlisted for the International Booker Prize in 2022 and her translation of Theatre of War by Andrea Jeftanovic was awarded an English PEN grant in 2021. Her work has appeared in journals such as Granta, Electric Literature, and the White Review, among others. She holds a BA in Spanish Language from Louisiana State University and an MA in Translation Studies from the University of Buenos Aires. Originally from Houston, she now lives in Buenos Aires.