John Snelson

How to Enjoy Opera (eBook, ePUB)

• Format: ePub

Produktbeschreibung

From Glyndebourne to the King's Head, in the flesh and streamed online: opera is reaching a broader audience than ever before. With over 400 years of history, and a beguiling mix of musical motifs, costumes, storytelling and song, opera has fascinated and enthralled audiences for centuries. However it can also cast the impression of an intimidating high-art form, inaccessible to the uninitiated.

How to Enjoy Opera is an engaging, illuminating primer which will demystify the world of opera. John Snelson, who has worked at London's world-famous Royal Opera House in Covent Garden for over 15 years, gives his expert insight into how to absorb an opera and understand its inner workings.

Aimed at newcomers to the art form as well as long-time fans, this book will help the reader to absorb and understand any opera: with examples drawn from more than 45 composers and just over 100 operas included. There are references to some of the most famous of all opera moments, sometimes from less familiar perspectives, but also to lesser-known works.

This book decodes many of the elements that opera composers and librettists put into their operas that give enjoyment to audiences, in the hope that readers can gain greater enjoyment from their future viewing and listening too.

Produktdetails

• Verlag: Bloomsbury UK
• Seitenzahl: 248
• Erscheinungstermin: 29. April 2016
• Englisch
• ISBN-13: 9781783197163
• Artikelnr.: 49876648

Autorenporträt

John Snelson has worked extensively in music across performance, publishing and teaching. Following his PhD on the West End musical (2003) his scholarly publications have included the monograph Andrew Lloyd Webber (2004) and chapters in core reference works on British musical theatre. He was Senior Internal Editor (covering popular, pop and light music) for the Revised New Grove Dictionary of Music and Musicians (2001), to which he was also a contributor. He lectures on musical theatre, including for Goldsmiths, University of London. He has also published extensively on opera and for twenty years worked for the Royal Opera House.