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  • Format: ePub

HOUSE AND HOME PAPERS The Ravages of a Carpet Homekeeping vs. Housekeeping What is a Home? The Economy of the Beautiful Raking Up the Fire The Lady who does her own Work What can be got in America Economy Servants Cookery Our House THE CHIMNEY-CORNER Home Religion What will You do with Her? or, The Woman Question Woman's Sphere A Family Talk on Reconstruction Is Woman a Worker? The Transition Bodily Religion: A Sermon on Good Health How shall we entertain our Company? How shall we be Amused? Dress, or Who makes the Fashions What are the Sources of Beauty in Dress? The Cathedral The New Year…mehr

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Produktbeschreibung
HOUSE AND HOME PAPERS The Ravages of a Carpet Homekeeping vs. Housekeeping What is a Home? The Economy of the Beautiful Raking Up the Fire The Lady who does her own Work What can be got in America Economy Servants Cookery Our House THE CHIMNEY-CORNER Home Religion What will You do with Her? or, The Woman Question Woman's Sphere A Family Talk on Reconstruction Is Woman a Worker? The Transition Bodily Religion: A Sermon on Good Health How shall we entertain our Company? How shall we be Amused? Dress, or Who makes the Fashions What are the Sources of Beauty in Dress? The Cathedral The New Year The Noble Army of Martyrs OUR SECOND GIRL A SCHOLAR'S ADVENTURES IN THE COUNTRY TRIALS OF A HOUSEKEEPER

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Autorenporträt
Harriet Beecher Stowe (June 14, 1811-July 1, 1896) was born in the United States. She was an American writer and abolitionist. She came from the Beecher family, a religious family, and became famous for her novel, Uncle Tom's Lodge (1852), which portrays the brutal conditions experienced by enslaved African Americans. The book reached millions of readers as a novel as well as for play and became so influential in the US and in Great Britain that it empowered anti-slavery forces in the American North while provoking extensive aggression in the South. Stowe published 30 books, including novels, three travel memoirs, and collections of letters and articles. She was prominent in both her compositions and in her public stances, and also in debates on social issues.