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The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. This book addresses the synergies in aesthetics and practices in historical performance and new music.

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Produktbeschreibung
The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. This book addresses the synergies in aesthetics and practices in historical performance and new music.


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Autorenporträt
Rebecca Cypess, musicologist and historical keyboardist, is Associate Dean for Academic Affairs at Mason Gross School of the Arts, Rutgers University. Her publications include Women and Musical Salons in the Enlightenment (2022) and Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy (2016). Estelí Gomez is Assistant Professor of Voice at Lawrence University. Praised for her "clear, bright voice" (New York Times), she is a founding member of the Grammy-award-winning vocal octet Roomful of Teeth and a specialist in both early and new repertoires. Gomez holds degrees from Yale and McGill. Rachael Lansang serves as Assistant Director of Academic Affairs at the Mannes School of Music. She holds a Ph.D. in Musicology from Rutgers University, and her research interests include vocal pedagogy, music and gender studies, and contemporary opera and musical theater.