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  • Format: ePub

With six days remaining until he goes to the electric chair for the murder of his wife, wealthy broker Robert Westland needs help, fast. He insists that he has been framed, and Bill Crane, a private detective with a method and manner all his own, must prove his client's innocence.
In a mixture of the humorous and the macabre, Crane's investigation, set against an evocative Depression-era backdrop, turns up more than a few queer characters - including a tight-lipped valet and a dypsomanic widow - who may or may not know something about who really murdered Mrs Westland.

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Produktbeschreibung
With six days remaining until he goes to the electric chair for the murder of his wife, wealthy broker Robert Westland needs help, fast. He insists that he has been framed, and Bill Crane, a private detective with a method and manner all his own, must prove his client's innocence.

In a mixture of the humorous and the macabre, Crane's investigation, set against an evocative Depression-era backdrop, turns up more than a few queer characters - including a tight-lipped valet and a dypsomanic widow - who may or may not know something about who really murdered Mrs Westland.


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Autorenporträt
Jonathan Latimer (1906-1983) was a bestselling author and screenwriter. Born in Chicago, he began his career as a crime reporter for the Herald Examiner, working there until 1935, when he set out on a twisting road to Hollywood, which included stints as a dude rancher, a stunt man, and a publicist. In the late 1930s he began writing screenplays for MGM, producing the scripts for several classic noir films, including The Big Clock (1948) and the adaptation of Dashiell Hammett's The Glass Key (1942), which starred Alan Ladd. All the while, Latimer was writing fast-paced mystery novels such as The Lady in the Morgue (1936) and The Dead Don't Care (1938). After fighting in World War II, he returned to Hollywood, where he continued writing novels and became a staff writer for the Perry Mason show.