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Carlo Goldoni (1707 - 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain…mehr

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Produktbeschreibung
Carlo Goldoni (1707 - 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain advantages, and almost come to grief. But these are worldly comedies and Goldoni does not deny us the satisfaction of seeing the women triumph.
Autorenporträt
Carlo Goldoni (1707-93) was an Italian dramatist born in Venice who wrote over 200 comedies, tragedies and tragicomedies in his lifetime. Goldoni settled in Paris in the 1760s, directing the Comédie-Italienne there. In 1783 his company moved to a new theatre on the street now known as the Boulevard des Italiens; they merged with the Théâtre Feydeau to form the Opéra-Comique in 1801. His works include tragedies: Rosmonda (1734), Griselda (1734); tragicomedies: Belisario (1734), Rinaldo di Montalbano (1736); and comedies such as The Servant of Two Masters (1745) and The Mistress of the Inn (1751).