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  • Format: ePub

This book combines urban theory with film studies and cultural theory to explore how twentieth century Los Angeles is configured through the lens of film noir.

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Produktbeschreibung
This book combines urban theory with film studies and cultural theory to explore how twentieth century Los Angeles is configured through the lens of film noir.


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Autorenporträt
Dr Sean Maher is Senior Lecturer in the Creative Industries Faculty at the Queensland University of Technology (QUT) in Brisbane, Australia. He has been a been Visiting Scholar at UCLA Film and Television Archives. He is an Australian representative on the Steering Committee for the Filmmakers Research Network (FRN), a British Arts and Humanities Research Council (AHRC) grant investigating filmmaking-based research. As a writer and director, he has produced essay films on Los Angeles and film noir as part of investigating creative practice-based research (Maher, S. and Kerrigan S, (2016) Noirscapes: Using the screen to write Los Angeles noir as urban historiography in the Journal of Writing in Creative Practice).

Rezensionen
"In order to move between film studies, urban geography and social theory, Maher develops an argument that shows considerable conceptual agility in its capacity to move across worlds to propose that the history of representing LA in film marks a transition in itself from the modern to the postmodern, and from the real to the hyperreal."
Professor Terry Flew, University of Sydney, Australia

"Fans of Raymond Chandler and Los Angeles noirs will love this title." - Dr. A. Ebert, popcultureshelf.com