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Johann Wolfgang von Goethe, a dominant figure in European literature and intellectual life, was the creator of a new and influential visual culture. This volume investigates a new science of perception through an exploration of his autobiographical works, novels and writings on optics. The psychoanalytic approach taken in this study focuses on central acts of perception and the role of vision in Goethe as key to the formation of identity. By addressing the impact of visuality on the act of writing, new interpretations of his most important works emerge through analysis of subject formation in…mehr

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Produktbeschreibung
Johann Wolfgang von Goethe, a dominant figure in European literature and intellectual life, was the creator of a new and influential visual culture. This volume investigates a new science of perception through an exploration of his autobiographical works, novels and writings on optics. The psychoanalytic approach taken in this study focuses on central acts of perception and the role of vision in Goethe as key to the formation of identity. By addressing the impact of visuality on the act of writing, new interpretations of his most important works emerge through analysis of subject formation in the autobiographies, The Italian Journey and Poetry and Truth. Further, the relationship between the self and the gaze plays a central role in the semi-autobiographical works, The Elective Affinities, Wilhelm Meister's Apprenticeship, as well as Color Theory. In exploring the question of identity and identification within a Lacanian framework, The Eye and the Gaze offers an innovative approach to biography, autobiography, and narrative.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Evelyn K. Moore, Associate Professor Emerita of German at Kenyon College in Gambier, Ohio, has published in eighteenth- and nineteenth-century German literature including The Passions of Rhetoric: Lessing and the German Enlightenment, 1993. She co-edited The Enlightened Eye: Goethe and Visual Culture, 2007, as well as (Re)-turn: A Journal of Lacanian Studies from 2003-2009.
Rezensionen
«Der weite Blickwinkel auf die Relation von Visualität und autobiographischer Dimension in G.s Werk ermöglicht einen vielversprechenden Grenzgang zwischen Literaturwissenschaft und Psychoanalyse mit einem umfangreichen Bildmaterial.»
(Klaus Schenk, GERMANISTIK Internationales Referatenorgan mit bibliographischen Hinweisen Band 59, Heft 1-2/2018)