Guillermo Gómez Peña, Roberto Sifuentes

Exercises for Rebel Artists (eBook, ePUB)

Radical Performance Pedagogy

• Format: ePub

Produktbeschreibung

In Exercises for Rebel Artists, Guillermo Gomez-Pena and Roberto Sifuentes use their extensive teaching and performance experience with La Pocha Nostra to help students and practitioners to create 'border art'. The book includes detailed exercises for using Pocha Nostra methods in workshops, a step-by-step guide for large-scale group performance and many new photos of the Pocha Nostra method in practice. It is an essential text for anyone who wants to learn how use performance to both challenge and change.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 256
• Erscheinungstermin: 1. März 2013
• Englisch
• ISBN-13: 9781136822223
• Artikelnr.: 38273332

Autorenporträt

Guillermo Gómez-Peña is a post-Mexican performance artist, writer, activist and pedagogue. He is the author of ten books including Ethno Techno and Dangerous Border Crossers, both published by Routledge. His legendary performance pieces include "Border Brujo" (1988), "Couple in the Cage" (1992), "The Cruci-fiction project" (1994), "El Mexterminator" (1987-88) and the Mapa/Corpo series (2004-2008). He is founder of the San Francisco-based art collective La Pocha Nostra.

Roberto Sifuentes is an interdisciplinary artist and founding member of La Pocha Nostra. He has toured internationally with Gómez-Peña since 1991. As a performance pedagogue, Sifuentes has been Artistic Director of The Trinity College/La MaMa Performing Arts ProgramNYC and is currently Assistant Professor of Performance at the School of the Art Institute of Chicago.

Inhaltsangabe

Intro by Guillermo Gómez-Peña. Aims and Objectives. Preparing a Performance
Workshop. Notes to the Workshop Participants. The Workshop. Performance
Exercises, Rituals and Games To Cross Borders. Part One: 'Hands On',
Physical and Perceptual Exercises. Part Two: Conceptual and Poetic
Exercises. Part Three: Living Images and Exercises to Generate Performance
Material. Part Four: Designing and Fleshing Out Performance Personas. Part
Five: Preparing a Performance Salon. The Syllabus. Quick and Dirty
Exercises. In Permanent Process Of Reinvention: A Pedagogical Travelogue.
Tips for Young Live Artists. Letter from Oaxaca.