Event Code Uncovered (eBook, ePUB)

Secrets Buried in Sacred Text

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Death rears its ugly head everywhere and at all times, in all sorts of situations and under many kinds of circumstances and for a myriad of reasons, affecting people in surprising ways, but eventually coming for everyone no matter their station in life. But why do we find their demises encoded in the Five Books of Moses? What is it about a sacred text of 304,805 Hebrew letters that enables it to hold the whole history of humankind and encoded within it the specific circumstances under which particular people have died or are going to die? Connected to the types of events listed in this book ar...

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Steve Canada's filmography is so skimpy it's not worth mentioning (so why don't we just go ahead and briefly describe it?): A hokey, small Western in which as an extra he sits at a table (with his back to the camera!) in a saloon playing cards with other "cowboys." Online citing shows no photo of him. And a UCLA film school movie set partly in an on-site desert junkyard of which he plays the owner and delivers memorable lines in a gruff, desert-rat way the director tried to tone down ("Don't do the voice"). His costume try-out fitting for one of the Planet of the Apes movies, filmed near the Pinnacles near the California, Inyo county town of Trona, didn't turn out so well; he was too fat to pass for a chimp or human as portrayed in the film. German director Wim Wenders (over thirty films since 1973, including The American Friend, with Dennis Hopper) was in town later auditioning for a small speaking role the author tried out for in a face-to-face interview; he didn't get the part but gave the director one of his crop circle books, to which Wenders said, "I might do a crop circle movie." The author's two minor skin cancer operations, while not life-threatening, alerted him personally to some of the fear victims' experience waiting for biopsy test results and get really bad news. He's trying to avoid that through healthy diet and exercise and extensive supplements that recently have extended into traditional Indian Ayurvedic and ancient Chinese medicine. So those are his "movies" and "cancer" connections to the subject of volume 2 of this series. As for "car crash," he drove a 1959 Buick off a cliff at age nineteen and luckily lived to tell about it. As for "suicide," he had a friend who committed suicide decades ago, in Oakland. This is not an intellectual exercise of revealing a secret code in holy writ. The implications are humanly profound and impactful on daily lives. At age seventy-three, he hopes to stay healthy enough to continue researching for these and other volumes and also finally do a collection of his poems (published in five countries over forty years and with at least one Nobel Prize winner for Literature, the Chilean poet Pablo Neruda, in the Paris Review; receiving an encouraging note while living and struggling in Paris from the novelist Saul Bellow sustained his determination for years), essays, short stories, movie treatments, photos (doorways, stacked rocks) and drawings (Hands from Other Dimensions, exhibited at local museum).