Natalie Haynes

Divine Might (eBook, ePUB)

Goddesses in Greek Myth

• Format: ePub

Produktbeschreibung

Get ready to meet the goddesses.

In Divine Might, Natalie Haynes, the bestselling author of Stone Blind and Pandora's Jar, introduces us to the stories of the Greek goddesses. As fearsome, powerful and beloved as their male counterparts, it's time to look beyond the columns of a ruined temple to the awesome power within . . .

We meet Hera, who, whilst most often known for enacting vicious, creative revenge on the women - mortal or otherwise - who catch the wandering eye of her husband Zeus, turns out not to be such a villain after all.

We meet Demeter, a mother who will go to any lengths, no matter the cost, to retrieve her daughter Persephone from Hades' clutches.

We'll be introduced to The Furies, three women who will literally go to the ends of the earth to enact bloody vengeance but who, surprisingly, are the goddesses who can teach us the most about the way we live now.

Examining the role of these goddesses and more, Divine Might will change everything you thought you knew about our most ancient stories. Full of fire, fury and devotion, Natalie Haynes brings the divine women of Olympia kicking and screaming into the modern age.

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Produktdetails

• Verlag: Pan Macmillan
• Seitenzahl: 304
• Altersempfehlung: ab 18 Jahre
• Erscheinungstermin: 28. September 2023
• Englisch
• ISBN-13: 9781529089509
• Artikelnr.: 67681806

Autorenporträt

Natalie Haynes is a writer and broadcaster. She is the author of The Amber Fury, The Children of Jocasta, A Thousand Ships, which was shortlisted for the Women's Prize for Fiction in 2020 and Stone Blind. Her non-fiction book about women in Greek Myth, Pandora's Jar, was a bestseller in both the UK and the US. She has written and performed eight series of her BBC Radio 4 show, Natalie Haynes Stands Up for the Classics. In 2015 she was awarded the Classical Association Prize for her work in bringing Classics to a wider audience.

Rezensionen

Cheerfully erudite . . . academically rigorous . . . combining immense scholarship with a sarky easy-going tone The Times