Decolonizing the Memory of the First World War contributes to the imperial turn in First World War studies.
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Anna Branach-Kallas is a professor at the Department of Anglophone Literature, Culture and Comparative Studies at Nicolaus Copernicus University in Torun, Poland.
Inhaltsangabe
Introduction Chapter One: Savagery, Epistemic Disobedience and Disabled Memory in At Night All Blood Is Black by David Diop Chapter Two: Palimpsests of Disaster, Maroonage and the French Republican Discourse in Le Bataillon créole (Guerre de 1914-1918) by Raphaël Confiant Chapter Three: Biopolitics, Dreams of Freedom and Multidirectional Memory in Dancing the Death Drill by Fred Khumalo Chapter Four: Imperial Loyalties, Decolonial Insurgency and Potential History in A God in Every Stone by Kamila Shamsie Chapter Five: The Colonial Modern, Mimicry and the Aesthetics/Ethics of Incompletion in Afterlives by Abdulrazak Gurnah Conclusion
Introduction Chapter One: Savagery, Epistemic Disobedience and Disabled Memory in At Night All Blood Is Black by David Diop Chapter Two: Palimpsests of Disaster, Maroonage and the French Republican Discourse in Le Bataillon créole (Guerre de 1914-1918) by Raphaël Confiant Chapter Three: Biopolitics, Dreams of Freedom and Multidirectional Memory in Dancing the Death Drill by Fred Khumalo Chapter Four: Imperial Loyalties, Decolonial Insurgency and Potential History in A God in Every Stone by Kamila Shamsie Chapter Five: The Colonial Modern, Mimicry and the Aesthetics/Ethics of Incompletion in Afterlives by Abdulrazak Gurnah Conclusion
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