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Dances of the Self in Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine brings to light little-known German resources on dance by juxtaposing cultural history with aesthetic theory and close readings of literary works. Joining performance studies with psychoanalytical theory, Lucia Ruprecht addresses dance as a performative exercise which constitutes a decisive force within the formation of subjectivity that is enacted in the literary texts.
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