Contemporary Art and the Home (eBook, PDF)
Redaktion: Painter, Colin
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Contemporary Art and the Home (eBook, PDF)
Redaktion: Painter, Colin
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The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues.
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The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 316
- Erscheinungstermin: 26. Mai 2020
- Englisch
- ISBN-13: 9781000184006
- Artikelnr.: 59535921
- Verlag: Taylor & Francis
- Seitenzahl: 316
- Erscheinungstermin: 26. Mai 2020
- Englisch
- ISBN-13: 9781000184006
- Artikelnr.: 59535921
Colin Painter is Artist, Curator and Emeritus Professor at the Wimbledon School of Art
1 The At Home With Art Project: A Summary Colin Painter2 Audiences for
Contemporary Art. Assertions vs Evidence Sara Selwood3 Domestic
Disturbances: Challenging the Anti-domestic Modern Christopher Reed4
House-trained Objects: Notes Towards Writing an Alternative History of
Modern Art Tanya Harrod 5 The Art of Home-making and the Design Industries
Tim Putnam6 What Would We Do Without It? A Few Thoughts About Reproduction
in the History of Art Anthony Hughes7 Accommodating Daniel Miller8 Taste
Wars and Design Dilemmas: Aesthetic Practice in the Home Alison J. Clarke 9
What Happened At Home With Art: Tracing the Experience of Consumers Rebecca
Leach 10 Mass-production, Distribution and Destination Richard Deacon,
Antony Gormley, Alison Wilding 11 Images, Contemporary Art and the Home
Colin Painter 12 Avant-Garde and Kitsch Revisited Andrew Brighton
IndexNOTES ON THE CONTRIBUTORS Andrew Brighton is Senior Curator, Public
Events at Tate Modern, a critic and occasional curator. He is a Trustee of
Peer (www.peeruk.org) @ an innovative arts charity for whom he was an
editor on Art for All? Their Policies and our Culture, edited by Mark
Wallinger and Mary Warnock. He is a contributing editor for Critical
Quarterly where he published: 'Towards a common culture: New Labour's
cultural policy and Soviet Socialist Realism'. His writing has been
published in journals such as: Art in America, Art Monthly, London Review
of Books, Studio International and The Guardian. His book, Francis Bacon,
Tate Publishing, appeared in 2001.Alison J. Clarke lectures in material
culture and design history at the Royal College of Art, London and as
Visiting Professor of Design Theory at the University of Applied Arts,
Vienna. Her work deals with the consumption of everyday material and visual
culture. Previous publications include Tupperware: the Promise of Plastic
in 1950s America (Smithsonian Press 1999) and 'The Aesthetics of Social
Aspiration' in Home Possessions ed. D. Miller (Berg 2001). Her most recent
project, tied to the AHRB Centre for the Study of the Domestic Interior at
the RCA, is entitled 'Setting Up Home'.Richard Deacon is a sculptor whose
work is known internationally. In 1987 he was awarded the Turner Prize. His
achievements were recognized in 1996 with the award of the Chevalier de
l'Ordre des Arts et Lettres by the Ministry of Culture, France. In the 1999
New Years Honours List he was made CBE for his significant contribution to
the arts in Britain. He is a Royal Academician and Professor at the Ecole
Nationale Suprieure des Beaux-Arts in Paris.Antony Gormley has created some
of the most ambitious and recognizable works of the past two decades
including Field, The Angel of the North and, most recently, Quantum Cloud
on the Thames in Greenwich. He has created large-scale installations in
Cuxhaven, Germany and at the Royal Academy, London, participated in group
shows such as the Venice Biennale and Documenta 8, and had solo exhibitions
at the Whitechapel Gallery, Serpentine Gallery, Tate St Ives and White
Cube. He was made an OBE in 1997, awarded the Turner Prize in 1994 and the
South Bank Prize for Visual Art in 1999. Tanya Harrod is a Visiting
Professor at the Royal College of Art and is the author of The Crafts in
Britain in the Twentieth Century, Yale University Press 1999. From 1989 to
1994 she was design and architecture correspondent for the Independent on
Sunday and she writes for The Burlington Magazine, the TLS, The Spectator
and Crafts. Current projects include a study of Le Corbusier's inte
Contemporary Art. Assertions vs Evidence Sara Selwood3 Domestic
Disturbances: Challenging the Anti-domestic Modern Christopher Reed4
House-trained Objects: Notes Towards Writing an Alternative History of
Modern Art Tanya Harrod 5 The Art of Home-making and the Design Industries
Tim Putnam6 What Would We Do Without It? A Few Thoughts About Reproduction
in the History of Art Anthony Hughes7 Accommodating Daniel Miller8 Taste
Wars and Design Dilemmas: Aesthetic Practice in the Home Alison J. Clarke 9
What Happened At Home With Art: Tracing the Experience of Consumers Rebecca
Leach 10 Mass-production, Distribution and Destination Richard Deacon,
Antony Gormley, Alison Wilding 11 Images, Contemporary Art and the Home
Colin Painter 12 Avant-Garde and Kitsch Revisited Andrew Brighton
IndexNOTES ON THE CONTRIBUTORS Andrew Brighton is Senior Curator, Public
Events at Tate Modern, a critic and occasional curator. He is a Trustee of
Peer (www.peeruk.org) @ an innovative arts charity for whom he was an
editor on Art for All? Their Policies and our Culture, edited by Mark
Wallinger and Mary Warnock. He is a contributing editor for Critical
Quarterly where he published: 'Towards a common culture: New Labour's
cultural policy and Soviet Socialist Realism'. His writing has been
published in journals such as: Art in America, Art Monthly, London Review
of Books, Studio International and The Guardian. His book, Francis Bacon,
Tate Publishing, appeared in 2001.Alison J. Clarke lectures in material
culture and design history at the Royal College of Art, London and as
Visiting Professor of Design Theory at the University of Applied Arts,
Vienna. Her work deals with the consumption of everyday material and visual
culture. Previous publications include Tupperware: the Promise of Plastic
in 1950s America (Smithsonian Press 1999) and 'The Aesthetics of Social
Aspiration' in Home Possessions ed. D. Miller (Berg 2001). Her most recent
project, tied to the AHRB Centre for the Study of the Domestic Interior at
the RCA, is entitled 'Setting Up Home'.Richard Deacon is a sculptor whose
work is known internationally. In 1987 he was awarded the Turner Prize. His
achievements were recognized in 1996 with the award of the Chevalier de
l'Ordre des Arts et Lettres by the Ministry of Culture, France. In the 1999
New Years Honours List he was made CBE for his significant contribution to
the arts in Britain. He is a Royal Academician and Professor at the Ecole
Nationale Suprieure des Beaux-Arts in Paris.Antony Gormley has created some
of the most ambitious and recognizable works of the past two decades
including Field, The Angel of the North and, most recently, Quantum Cloud
on the Thames in Greenwich. He has created large-scale installations in
Cuxhaven, Germany and at the Royal Academy, London, participated in group
shows such as the Venice Biennale and Documenta 8, and had solo exhibitions
at the Whitechapel Gallery, Serpentine Gallery, Tate St Ives and White
Cube. He was made an OBE in 1997, awarded the Turner Prize in 1994 and the
South Bank Prize for Visual Art in 1999. Tanya Harrod is a Visiting
Professor at the Royal College of Art and is the author of The Crafts in
Britain in the Twentieth Century, Yale University Press 1999. From 1989 to
1994 she was design and architecture correspondent for the Independent on
Sunday and she writes for The Burlington Magazine, the TLS, The Spectator
and Crafts. Current projects include a study of Le Corbusier's inte
1 The At Home With Art Project: A Summary Colin Painter2 Audiences for
Contemporary Art. Assertions vs Evidence Sara Selwood3 Domestic
Disturbances: Challenging the Anti-domestic Modern Christopher Reed4
House-trained Objects: Notes Towards Writing an Alternative History of
Modern Art Tanya Harrod 5 The Art of Home-making and the Design Industries
Tim Putnam6 What Would We Do Without It? A Few Thoughts About Reproduction
in the History of Art Anthony Hughes7 Accommodating Daniel Miller8 Taste
Wars and Design Dilemmas: Aesthetic Practice in the Home Alison J. Clarke 9
What Happened At Home With Art: Tracing the Experience of Consumers Rebecca
Leach 10 Mass-production, Distribution and Destination Richard Deacon,
Antony Gormley, Alison Wilding 11 Images, Contemporary Art and the Home
Colin Painter 12 Avant-Garde and Kitsch Revisited Andrew Brighton
IndexNOTES ON THE CONTRIBUTORS Andrew Brighton is Senior Curator, Public
Events at Tate Modern, a critic and occasional curator. He is a Trustee of
Peer (www.peeruk.org) @ an innovative arts charity for whom he was an
editor on Art for All? Their Policies and our Culture, edited by Mark
Wallinger and Mary Warnock. He is a contributing editor for Critical
Quarterly where he published: 'Towards a common culture: New Labour's
cultural policy and Soviet Socialist Realism'. His writing has been
published in journals such as: Art in America, Art Monthly, London Review
of Books, Studio International and The Guardian. His book, Francis Bacon,
Tate Publishing, appeared in 2001.Alison J. Clarke lectures in material
culture and design history at the Royal College of Art, London and as
Visiting Professor of Design Theory at the University of Applied Arts,
Vienna. Her work deals with the consumption of everyday material and visual
culture. Previous publications include Tupperware: the Promise of Plastic
in 1950s America (Smithsonian Press 1999) and 'The Aesthetics of Social
Aspiration' in Home Possessions ed. D. Miller (Berg 2001). Her most recent
project, tied to the AHRB Centre for the Study of the Domestic Interior at
the RCA, is entitled 'Setting Up Home'.Richard Deacon is a sculptor whose
work is known internationally. In 1987 he was awarded the Turner Prize. His
achievements were recognized in 1996 with the award of the Chevalier de
l'Ordre des Arts et Lettres by the Ministry of Culture, France. In the 1999
New Years Honours List he was made CBE for his significant contribution to
the arts in Britain. He is a Royal Academician and Professor at the Ecole
Nationale Suprieure des Beaux-Arts in Paris.Antony Gormley has created some
of the most ambitious and recognizable works of the past two decades
including Field, The Angel of the North and, most recently, Quantum Cloud
on the Thames in Greenwich. He has created large-scale installations in
Cuxhaven, Germany and at the Royal Academy, London, participated in group
shows such as the Venice Biennale and Documenta 8, and had solo exhibitions
at the Whitechapel Gallery, Serpentine Gallery, Tate St Ives and White
Cube. He was made an OBE in 1997, awarded the Turner Prize in 1994 and the
South Bank Prize for Visual Art in 1999. Tanya Harrod is a Visiting
Professor at the Royal College of Art and is the author of The Crafts in
Britain in the Twentieth Century, Yale University Press 1999. From 1989 to
1994 she was design and architecture correspondent for the Independent on
Sunday and she writes for The Burlington Magazine, the TLS, The Spectator
and Crafts. Current projects include a study of Le Corbusier's inte
Contemporary Art. Assertions vs Evidence Sara Selwood3 Domestic
Disturbances: Challenging the Anti-domestic Modern Christopher Reed4
House-trained Objects: Notes Towards Writing an Alternative History of
Modern Art Tanya Harrod 5 The Art of Home-making and the Design Industries
Tim Putnam6 What Would We Do Without It? A Few Thoughts About Reproduction
in the History of Art Anthony Hughes7 Accommodating Daniel Miller8 Taste
Wars and Design Dilemmas: Aesthetic Practice in the Home Alison J. Clarke 9
What Happened At Home With Art: Tracing the Experience of Consumers Rebecca
Leach 10 Mass-production, Distribution and Destination Richard Deacon,
Antony Gormley, Alison Wilding 11 Images, Contemporary Art and the Home
Colin Painter 12 Avant-Garde and Kitsch Revisited Andrew Brighton
IndexNOTES ON THE CONTRIBUTORS Andrew Brighton is Senior Curator, Public
Events at Tate Modern, a critic and occasional curator. He is a Trustee of
Peer (www.peeruk.org) @ an innovative arts charity for whom he was an
editor on Art for All? Their Policies and our Culture, edited by Mark
Wallinger and Mary Warnock. He is a contributing editor for Critical
Quarterly where he published: 'Towards a common culture: New Labour's
cultural policy and Soviet Socialist Realism'. His writing has been
published in journals such as: Art in America, Art Monthly, London Review
of Books, Studio International and The Guardian. His book, Francis Bacon,
Tate Publishing, appeared in 2001.Alison J. Clarke lectures in material
culture and design history at the Royal College of Art, London and as
Visiting Professor of Design Theory at the University of Applied Arts,
Vienna. Her work deals with the consumption of everyday material and visual
culture. Previous publications include Tupperware: the Promise of Plastic
in 1950s America (Smithsonian Press 1999) and 'The Aesthetics of Social
Aspiration' in Home Possessions ed. D. Miller (Berg 2001). Her most recent
project, tied to the AHRB Centre for the Study of the Domestic Interior at
the RCA, is entitled 'Setting Up Home'.Richard Deacon is a sculptor whose
work is known internationally. In 1987 he was awarded the Turner Prize. His
achievements were recognized in 1996 with the award of the Chevalier de
l'Ordre des Arts et Lettres by the Ministry of Culture, France. In the 1999
New Years Honours List he was made CBE for his significant contribution to
the arts in Britain. He is a Royal Academician and Professor at the Ecole
Nationale Suprieure des Beaux-Arts in Paris.Antony Gormley has created some
of the most ambitious and recognizable works of the past two decades
including Field, The Angel of the North and, most recently, Quantum Cloud
on the Thames in Greenwich. He has created large-scale installations in
Cuxhaven, Germany and at the Royal Academy, London, participated in group
shows such as the Venice Biennale and Documenta 8, and had solo exhibitions
at the Whitechapel Gallery, Serpentine Gallery, Tate St Ives and White
Cube. He was made an OBE in 1997, awarded the Turner Prize in 1994 and the
South Bank Prize for Visual Art in 1999. Tanya Harrod is a Visiting
Professor at the Royal College of Art and is the author of The Crafts in
Britain in the Twentieth Century, Yale University Press 1999. From 1989 to
1994 she was design and architecture correspondent for the Independent on
Sunday and she writes for The Burlington Magazine, the TLS, The Spectator
and Crafts. Current projects include a study of Le Corbusier's inte