Kurt Lancaster

Cinema Raw (eBook, PDF)

Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras

• Format: PDF

Produktbeschreibung

Kurt Lancaster takes filmmakers through the raw workflow with the next generation of digital cinema cameras. While DSLR and HD video cameras have done the job in the past, there is nothing like shooting with raw. Shooting with raw allows filmmakers to capture an image in its purest form, which in turn gives them the freedom to manipulate the image in postproduction without degrading the quality, and with the recent surge of affordable raw cameras on the market, it's imperative that they know the in-and-outs of the raw workflow from shoot to post. Exploring the cinematic features offered by raw cameras, this book empowers filmmakers to craft visually stunning films on a greatly reduced budget. A companion website offers video interviews with the camera creators, including Joe Rubinstein and Elle Schneider (creators of the Digital Bolex), as well as bonus chapters, camera user manuals, and resources for further study about raw cinema.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 230
• Erscheinungstermin: 5. März 2014
• Englisch
• ISBN-13: 9781135040321
• Artikelnr.: 40823724

Autorenporträt

Kurt Lancaster earned his PhD from New York University and has shot documentaries that have screened nationally and internationally. He is the author of DSLR Cinema and has consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training their print journalists in video journalism, and he has shot and edited documentary journalism pieces. He is an associate professor of digital filmmaking in the School of Communication at Northern Arizona University, where he teaches courses on documentary and multimedia journalism.

Inhaltsangabe

Part I: Getting the Raw Deal
1. Introduction: What Camera to Choose? What Story To Tell?-DSLRs, RED,
Sony, and the Promise of Cinema Raw With the Next Generation of Low
Budget Cinema Cameras
2. Creating a New Paradigm: Behind the Scenes in Creating Low Budget
Cinema Cameras
3. Is There Really a Difference When Shooting Raw? A Case Study in
Shooting Compressed versus Shooting Raw
4. Film Gear for Raw Filmmakers: A Low-Budget List
Part II: Raw Production Case Studies [drawn from on-set observations and/or
interviews of the filmmakers from existing films]
1. On-camera Features and Menu Selections of Raw Cinema Cameras
2. One Small Step: Shooting with the Digital Bolex D16
3. Shooting with Blackmagic's Digital Cinema Camera
4. Shooting with Ikonoskop's A-Cam dII
5. Shooting with Weisscam's T-CAM
Part III Raw Postproduction
6. Postproduction Workflow-Getting the Footage onto the Computer and
Editing with raw
7. Color Correcting and Color Grading with Raw
Conclusion-The Future of Low Budget Digital Filmmaking